Rozema has established herself as an exceptional and distinctly sensual visual stylist. Her films are characterized by self-referential narration, idiosyncratic protagonists (who are often struggling artists), formal adventurousness, and the use of fairy tales, mythology, and poetry as structuring notions.
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Wyndham Wise, in Take One's Essential Guide to Canadian Film (2001), p. 185Patricia Rozema
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Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon. Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.
Gilbert Keith Chesterton
In 2000, in honour of the 25th anniversary of the Toronto International Film Festival, 10 preeminent Canadian filmmakers were asked to create short films. Staying true to her thematic preoccupation with artists, audiences and their relationship, Rozema's contribution was This Might Be Good, a six-minute wordless, experimental piece about hope — the hope of audiences, actors and filmmakers who gather around films at festivals.
Patricia Rozema
Fairy tales and more fairy tales. [in response to a mother who wanted her son to become a scientist and asked Einstein what reading material to give him]
Albert Einstein
Rozema is one of Canada's most recognizable and successful film artists, famous for works in which the wilful imagination asserts itself despite bureacracy, convention, and social expectation. As a writer and filmmaker, she is drawn to romantic figures whose artistry persists despite various obstacles, from institutionally derived notions of artistic standards to religiously supported ideas of appropriate sexualities.
Patricia Rozema
Humanity in the face of the idea of hidden knowledge reminds one of the people in fairy-tales who are promised by some goddess, fairy or magician that they will be given whatever they want on condition that they say exactly what they want.
P. D. Ouspensky
Rozema, Patricia
Rubaie, Mowaffak
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