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[on Kelly's drummer friend] Anyone that beats f**king skins for a living has got to be somewhat weird.
--
The Osbournes television show

 

Ozzy Osbourne

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There was a weird moment where—I was still a drummer, I always saw myself as a drummer—and we got nominated for a Grammy, that was really crazy, and I was sitting there and Stevie Wonder was on stage and I remember thinking "Wow, I really need to take [singing] more seriously!"

 

Patrick Stump

 

I hadn't heard his remixes and didn't know how amazing a drummer Travis is. But we got together, I threw on James Brown's 'Funky Drummer,' one of the most sampled beats in hip-hop, and 'I Know You Got Soul' by Bobby Byrd. His face would just open up; he would match the beat perfectly. I thought, 'Damn, this is fun.' It's like a skeleton you get to put the clothes on. And once the clothes are on, you yank out the spine.

 

Adam Goldstein

 

As one of the handful of girls who worked with both of those dance geniuses, I think I can give an honest comparison. In my opinion, Kelly is the more inventive choreographer of the two. Astaire, with Hermes Pan's help, creates fabulous numbers - for himself and his partner. But Kelly can create an entire number for somebody else... I think, however, that Astaire's coordination is better than Kelly's... his sense of rhythm is uncanny. Kelly, on the other hand, is the stronger of the two. When he lifts you, he lifts you!... To sum it up, I'd say they were the two greatest dancing personalities who were ever on screen. But it's like comparing apples and oranges. They're both delicious.

 

Fred Astaire

 

The major difference between Astaire and Kelly is a difference, not of talent or technique, but of levels of sophistication. On the face of it, Kelly looks the more sophisticated. Where Kelly has ideas, Astaire has dance steps. Where Kelly has smartly tailored, dramatically apt Comden and Green scripts, Astaire in the Thirties made do with formulas derived from nineteenth-century French Farce. But the Kelly film is no longer a dance film. It's a story film with dances, as distinguished from a dance film with a story. When Fred and Ginger go into their dance, you see it as a distinct formal entity, even if it's been elaborately built up to in the script. In a Kelly film, the plot action and the musical set pieces preserve a smooth community of high spirits, so that the pressure in a dance number will often seem too low, the dance itself plebeian or folksy in order to "match up" with the rest of the picture.

 

Fred Astaire

 

Me? I play Gene Kelly...It's a guy who produces, directs, sings, and dances. who else could it be but Kelly?

 

Fred Astaire