Buddha declared before his death that he would be coming again after twenty-five centuries, and that his name would be Maitreya. Maitreya means the friend. Buddhas don't come back; no enlightened person ever comes back, so it is just a way of saying... What he was saying is of tremendous importance. It has nothing to do with his coming back; he cannot come back. What he meant was that the ancient relationship between the Master and the disciple would become irrelevant in twenty-five centuries. It was his clarity of perception — he was not predicting anything — just his clarity to see that as things are changing, as they have changed in the past and as they go on changing, it would take at least twenty-five centuries for the Master and disciple relationship to become out of date. Then the enlightened Master will be only the friend. I had always wanted not to be a Master to anybody. But people want a Master, they want to be disciples; hence, I played the role. It is time that I should say to you that now many of you are ready to accept me as the friend. Those who are in tune with me continuously, without any break, are the only real friends...
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The Last Testament : Interviews with the World Press (1986) ISBN 0880502509Osho
A zealous disciple expressed a desire to teach others the Truth and asked the Master what he thought about this. The Master said, "Wait."
Each year the disciple would return with the same request and each time the Master would give him the same reply: "Wait."
One day he said to the Master, "When will I be ready to teach?"
Said the Master, "When your excessive eagerness to teach has left you."Anthony de Mello
If you're afraid of black nationalism, you're afraid of revolution. And if you love revolution, you love black nationalism. To understand this, you have to go back to what the young brother here referred to as the house Negro and the field Negro back during slavery. There were two kinds of slaves, the house Negro and the field Negro. The house Negroes — they lived in the house with master, they dressed pretty good, they ate good because they ate his food — what he left. They lived in the attic or the basement, but still they lived near the master; and they loved the master more than the master loved himself. They would give their life to save the master's house — quicker than the master would. If the master said, "We got a good house here," the house Negro would say, "Yeah, we got a good house here." Whenever the master said "we," he said "we." That's how you can tell a house Negro.
Malcolm (Malcolm Little) X
If you're afraid of black nationalism, you're afraid of revolution. And if you love revolution, you love black nationalism. To understand this, you have to go back to what the young brother here referred to as the house Negro and the field Negro back during slavery. There were two kinds of slaves, the house Negro and the field Negro. The house Negroes — they lived in the house with master, they dressed pretty good, they ate good because they ate his food — what he left. They lived in the attic or the basement, but still they lived near the master; and they loved the master more than the master loved himself. They would give their life to save the master's house — quicker than the master would. If the master said, "We got a good house here," the house Negro would say, "Yeah, we got a good house here." Whenever the master said "we," he said "we." That's how you can tell a house Negro.
Malcolm X
Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces; he is the artist as clown, as conjurer, as master funmaker.
Pauline Kael
Twenty candles on a cake. Twenty Camels in a pack. Twenty months in the federal pen. Twenty shots of tequila down a young girl's gullet. Twenty centuries since Our Lord's last pratfall, and after all that time we still don't know where passion goes when it goes.
Tom Robbins
Osho
Osler, William
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