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And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.
--
The Harlot's House, st. 12 (1885).

 

Oscar Wilde

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God be thanked for the Milky Way that runs across the sky,
That's the path that my feet would tread whenever I have to die.
Some folks call it a Silver Sword, and some a Pearly Crown,
But the only thing I think it is, is Main Street, Heaventown.

 

Joyce Kilmer

 

“Neither of us is very trustworthy, eh?”
“Pfutz!” Reich said emphatically. “We don’t play girl’s rules. We play for keeps, both of us. It’s the cowards and weaklings and sore-losers who hide behind rules and fair play.”
“What about honor and ethics?”
“We’ve got honor in us, but it’s our own code...not the make-believe rules some frightened little man wrote for the rest of the frightened little men. Every man’s got his own honor and ethics, and so long as he sticks to ’em, who’s anybody else to point the finger? You may not like his ethics, but you've no right to call him unethical.”

 

Alfred Bester

 

Silly girl, silver girl,
Draw the mirror toward you;
Time who makes the years to whirl
Adorned as he adored you.

 

Ogden Nash

 

Hither came Conan the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.

 

Robert E. Howard

 

No one in the history of the written word, not even William MacGonagall, or Spike Milligan or D. H. Lawrence, is so wide open to damaging quotation. Try this, more or less at random: 'A murderer in the moment of his murder could feel a sense of beauty and perfection as complete as the transport of a saint.' Or this: Film is a phenomenon whose resemblance to death has been ignored for too long. His italics.
On every page Mailer will come up with a formulation both grandiose and crass. This is expected of him. It is also expected of the reviewer to introduce a lingering 'yet' or 'however' at some point, and say that 'somehow' Mailer's 'fearless honesty' redeems his notorious excesses. He isn't frightened of sounding outrageous; he isn't frightened of making a fool of himself; and, above all, he isn't frightened of being boring. Well, fear has its uses. Perhaps he ought to be a little less frightened of being frightened.

 

Martin Amis