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It's not a pretty face, I grant you. But underneath its flabby exterior is an enormous lack of character.
--
Describing himself, in lines he contributed to An American In Paris (1951), although officially credited to Alan Jay Lerner, as told in The Memoirs of an Amnesiac (1965); also quoted in The Dictionary of Biographical Quotation of British and American Subjects (1978) by Richard Kenin and Justin Wintle, p. 485

 

Oscar Levant

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She was smart, tart, dry as a Martini,
Ah, but underneath,
She was all... heart, something by Puccini,
Ah, but underneath,
In the depths... of... her interior
Were fears... she... was inferior
And some... thing... even eerier --
But no one dared to query her superior exterior!

 

Stephen Sondheim

 

I got so enmeshed in (The Invisibles) that I was producing holographic voodoo effects and found that I could make stuff happen just by writing about it. At the conclusion of volume one, I put the King Mob character in a situation where he was being tortured and he gets told that his face is being eaten away by bacteria and within a few months my own face was being eaten away by infection. I still have the scar. It's a pretty cool scar too but at the time it was really distressing. Then I had the character dying and within a few months, there I was dying in the hospital of blood poisoning and staph aureus infection. As I lay dying, I wrote my character out of trouble and somehow survived. I used the text as medicine to get myself out of trouble. Writing became a way of keeping myself alive. As soon as I was out of hospital I made sure my character had a good time and got a laid a lot and within months I was having the time of my life. (2005)

 

Grant Morrison

 

Death and the devil, what are these to him?
His being accuses him — and yet his face is firm
In resolution, in absolute persistence;
The folds of smiling do for steadiness;
The face is its own fate — a man does what he must —
And the body underneath it says: I am.

 

Randall Jarrell

 

We can be as sure as we could probably need be that neither this enormous explosion that set the universe in motion, which is still moving away from us at a great rate, nor this amazingly complex billion year period of evolution, we can be pretty certain it was not designed so that you and I could be meeting in this room. We are not the objects of either of these plans. These plans don’t know we’re here. I’m sorry to say, wouldn’t know or care if we stopped being here. We have to face this alone with the equipment, intellectual and moral, that we’ve been given, or that we've acquired, or that is innate to us.

 

Christopher Hitchens

 

In looking at a landscape its abstract features appeal pretty quickly.Although representational I am primarily interested in the structure underneath,though I hope not obviously.

 

John Nash