He [Welles] was an onlooker at the clumsy, poignant suicide of "The Man on the Ledge," which took place in New York in 1938, when a boy perched for fourteen hours on a window-sill of the Gotham Hotel before plunging into the street. "I stood in the crowd outside for a long time," Welles says pensively, "and wanted to make a film of it all. But they tell me that in the Hollywood version of the film they gave the boy a reason for what he did. That's crazy. It's the crowd that needs explaining."
--
Kenneth Tynan, "Orson Welles," from Persona Grata (1953); later printed in Profiles (1990) [ISBN 0-06-096557-6], p.66Orson Welles
It would be very unfair to compare "Black" with any other film. I can't do a role of a handicapped person. It'd look like a carryover of "Black". Every film is a new experience for me. I respect my work too much to act superior about other films. "Black" is a kind of film that comes once in a lifetime. Even Sanjay [Leela Bhansali] can't make it again.
Rani Mukerji
Danny Boyle: "When I use somebody's song in a film, I like them to see the movie, if possible, so they know how it's used. She came into the cutting room and watched it. You get a lot of people giving you notes on films when you're making them, and most of them are rubbish, to be honest. People might think they're good. Well, she came in told me the film was very good, but said, "Do you want some notes?" She gave me two specific notes, both of which we included in the film, essentially saying, "If you do that there, you'll understand why he gets on the show." She's very smart."
M.I.A.
"Now the pitch, and it's lined foul into the seats, down the third base line, 1 ball, 1 strike, and I'll tell you what's going on. The crowd is chanting "U-S-A!" and the reason for that is that there are reports circulating, I'm not sure if they yet been confirmed by the White House, that Osama bin Laden is dead. How that's happened, we don't know, but this crowd now knows it." ---[[{{{2}}}]]
Howie Rose
[About going upstairs to "kill his son."] So I say, "Your mother sent me up here to kill you." He says, "Uh-huh." So I looked at him. And I noticed that from here...[points to one side of his head and circles around to the other side] all the way around to here...there was no hair! I said, "Son?" Called him "son". "What happened to your hair?" He said, "I don't know." I said, "Son, take your hand and put it on top of your head and tell me what you feel." He said, "There's no hair." I said, "Right! Now, tell Dad what happened to your hair." He said, "I don't know." I said, "Son, was your head with you all day today?" He said, "Uh-huh." I said, "Was this the hairstyle you wanted?!" He said, "Uh-huh." I said, "A reverse MOHAWK?!!" He said, "Uh-huh." I said, "Did you cut your hair off?" He said, "Uh-huh." I said, "Well, why didn't you tell me that?" He said, "I don't know!" I said, "Is this the hair style you wanted?!" He said "Uh-huh!" I said, "A REVERSED mohawk?!" So I went back downstairs, and my wife said "DID YOU KILL HIM?!" I said "No!" She said, "Why?" I said "I don't know!!!"
Bill Cosby
Thirty-one years ago, Dick Feynman told me about his "sum over histories" version of quantum mechanics. "The electron does anything it likes," he said. "It just goes in any direction at any speed, forward or backward in time, however it likes, and then you add up the amplitudes and it gives you the wave-function." I said to him, "You're crazy." But he wasn't.
Richard Feynman
Welles, Orson
Wellesley, Dorothy
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