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Orson Scott Card

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For the first time I understood the haunting beauty of the song. It was the song of a killer who longed to die. It was the song of justice yearned for but not yet done.

 
Orson Scott Card

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Ever since I was a little boy, I would study composition. And it was Pyotr Ilyich Tchaikovsky that influenced me the most. If you take an album like Nutcracker Suite, every song is killer, every one. So I said to myself, 'Why can't there be a pop album where every...' — People used to do an album where you'd get one good song, and the rest were like B-sides, they'd call them "album songs" — and I'd say to myself 'Why can't every one be like a hit song? Why can't every song be so great that people would want to buy it if you could release it as a single?. So I always tried to strive for that. That was the purpose for the next album.

 
Michael Jackson
 

His mother taught him to sing. And when he had grown up and had listened to the world's song, he felt that there could be no greater happiness than to return to her song. In her song dwelt the most precious and most incomprehensible dreams of mankind. The heath grew into the heavens in those days. The songbirds of the air listened in wonder to this song, the most beautiful song of life.

 
Halldor Laxness
 

The first song I ever wrote back then was the song that landed me the job as composer at Westwood Studios, which was remarkable for me at the time. It was basically an acoustic guitar song with electric guitar leads and keyboard strings, and raining sound effects in the background. If I had to compare it to anything, it was probably similar to an interlude Queensryche song. I never released this song before, but I've recently been thinking about re-recording it with the experience I have now and really making it sound proper. Maybe one day.

 
Frank Klepacki
 

This is the song of the men who have no place, played by a man who has never had a place, and can therefore play it. Listen to it. You know this song, remember? This is the song you close your ears to every night, so you can sleep. This is the song you drink five martinis every evening not to hear. This is the song of the Great Loneliness, that creeps in the desert wind and dehydrates the soul. This is the song you'll listen to on the day you die. When you lay there in bed and sweat it out, you know that all the doctors and nurses and weeping friends don't mean a thing and can't help you any, can't save you one small bitter taste of it, because you are the one that's dying and not them; when you wait for it to come and know the sleep will not evade it and martinis will not put it off and conversation will not circumvent it and hobbies will not help you to escape it; then you will hear this song and remembering, recognize it. This song is Reality. Remember? Surely you remember?

 
James Jones
 

Apple has really done its job. I thought it was a cute but harmless song (I first heard the song when she performed it on Letterman this past summer, and thought the chorus part was fun. That was about it). But now? I'm at the point where I'm thinking, "the next time I'm on iTunes I should download that song." And there's a reason for that. If I don't hear the entire song, the thirty-second snippet Apple gave us in the ad will rattle around in my cranium for months. So it's either download the song or go out and yell at the college kid who's going to serve me my latte tomorrow morning. You can see that I have no choice.

 
Leslie Feist
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