A year ago, to a startled public, was revealed the most extraordinary prodigy of them all — Nathalia Crane, 11-year-old poet, "The Baby Browning of Brooklyn," whose first volume of verse, The Janitor's Boy, was heralded by critics to be a work of genius.
Such words as "blastoderm", "sindoc," "peris," "parasang," "sarcenet," "teazel," "nullah," "cantatrice," "barracan," "sistrum," writhed and hissed in her verses. One poem began with the nebular hypothesis and ended with prohibition; others cantered with a Eugene Fieldian humor; still others coldly glowed with the passion-weary detachment of a woman who has had her fill of life and its motley follies. Critic-Poet Louis Untermeyer chortled with elation. Poet William Rose Benét wrote a preface. The English Society of Authors and Playwrights (of which Thomas Hardy is President) asked Nathalia Crane to join them.
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"Markham v. Prodigy" TIME magazine (23 November 1925)Nathalia Crane
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He said "I'll punch your head!" I said "Whose?" He said "Yours!"
I said "Mine?" He said "Yes!" I said "Oh?"
He said "Want a fight?" I said "Who?" He said "You!"
I said "Me?" He said "Yes!" I said "No!"
So we then came to words, he said "You're a cad!"
I said "Cad?" He said "Yes!" I said "Who?"
He said "Who?" I said "Yes." He said "You!" I said "Oh!"
So of course then I knew.Robb Wilton
The Pythagoreans called the monad "intellect" because they thought that intellect was akin to the One; for among the virtues, they likened the monad to moral wisdom; for what is correct is one. And they called it "being," "cause of truth," "simple," "paradigm," "order," "concord," "what is equal among the greater and the lesser," "the mean between intensity and slackness," "moderation in plurality," "the instant now in time," and moreover they call it "ship," "chariot," "friend," "life," "happiness."
Iamblichus of Chalcis
On the bus going home I heard a most fascinating conversation between an old man and woman. "What a thing, though," the old woman said. "You'd hardly credit it." "She's always made a fuss of the whole family, but never me," the old man said. "Does she have a fire when the young people go to see her?" "Fire?" "She won't get people seeing her without warmth." "I know why she's doing it. Don't think I don't," the old man said. "My sister she said to me, 'I wish I had your easy life.' Now that upset me. I was upset by the way she phrased herself. 'Don't talk to me like that,' I said. 'I've only got to get on the phone and ring a certain number,' I said, 'to have you stopped.'" "Yes," the old woman said, "And you can, can't you?" "Were they always the same?" she said. "When you was a child? Can you throw yourself back? How was they years ago?" "The same," the old man said. "Wicked, isn't it?" the old woman said. "Take care, now" she said, as the old man left her. He didn't say a word but got off the bus looking disgruntled.
Joe Orton
"My life is like shattered glass." said the visitor. "My soul is tainted with evil. Is there any hope for me?
"Yes," said the Master. "There is something whereby each broken thing is bound again and every stain made clean."
"What?"
"Forgiveness"
"Whom do I forgive?"
"Everyone: Life, God, your neighbor — especially yourself."
"How is that done?"
"By understanding that no one is to blame," said the Master. "NO ONE."Anthony de Mello
A word says more than a thousand images. Exercises for the visually inclined: illustrate "appreciation", "humor", "software", "education", "inalienable rights", "elegance", "fact".
Erik Naggum
Crane, Nathalia
Crane, Stephen
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