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Nadine Gordimer

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Any writer of any worth at all hopes to play only a pocket-torch of light — and rarely, through genius, a sudden flambeau — into the bloody yet beautiful labyrinth of human experience, of being.

 
Nadine Gordimer

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Today, people’s mood is very much like that: if the coffee is bitter they’re going to have a bad mood all day long. You could be having a perfect day and all of a sudden you get fired. And that’s it. there goes your beautiful day. Maybe they’ve had a beautiful life all life long, and then something will happen that will completely devastate them. But, you can go beyond all that to have something that’s permanent, to have something that is a true experience, to have an experience of yourself, to have an experience of what makes you alive.

 
Maharaji (Prem Rawat)
 

Humanity has been passing through a gray and desolate time of confusion. My great predecessor, William Faulkner, speaking here, referred to it as a tragedy of universal fear so long sustained that there were no longer problems of the spirit, so that only the human heart in conflict with itself seemed worth writing about.
Faulkner, more than most men, was aware of human strength as well as of human weakness. He knew that the understanding and the resolution of fear are a large part of the writer's reason for being.
This is not new. The ancient commission of the writer has not changed. He is charged with exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement.

 
John Steinbeck
 

Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.

 
Le Corbusier
 

Hawthorne's career was probably as tranquil and uneventful a one as ever fell to the lot of a man of letters; it was almost strikingly deficient in incident, in what may be called the dramatic quality. Few men of equal genius and of equal eminence can have led on the whole a simpler life... He produced, in quantity, but little. His works consist of four novels and the fragment of another, five volumes of short tales, a collection of sketches, and a couple of story-books for children. And yet some account of the man and the writer is well worth giving. Whatever may have been Hawthorne's private lot, he has the importance of being the most beautiful and most eminent representative of a literature. The importance of the literature may be questioned, but at any rate, in the field of letters, Hawthorne is the most valuable example of the American genius.

 
Nathaniel Hawthorne
 

I'm really serious about this writing thing. What time I haven't been writing, I've been reading: Thomas Wolfe, if you know who he is. His writing is mostly built about the central character of a writer, himself. Altho it's fiction, it deals with his life and experiences. In my opinion, little as it's worth, he is the greatest writer that has lived, Shakespeare included. He is a genius.

 
James Jones
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