Since humans became self-regarding they have sought, as well, explanations for the common phenomena of procreation, death, the cycle of seasons, the earth, sea, wind and stars, sun and moon, plenty and disaster. With myth, the writer's ancestors, the oral story-tellers, began to feel out and formulate these mysteries, using the elements of daily life — observable reality — and the faculty of the imagination — the power of projection into the hidden — to make stories.
Nadine Gordimer
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Everything the Power of the World does is done in a circle. The sky is round, and I have heard that the earth is round like a ball, and so are all the stars. The wind, in its greatest power whirls. Birds make their nest in circles, for theirs is the same religion as ours. The sun comes forth and goes down again in a circle. The moon does the same and both are round. Even the seasons form a great circle in their changing, and always come back again to where they were. The life of a man is a circle from childhood to childhood, and so it is in everything where power moves. Our tepees were round like the nests of birds, and these were always set in a circle, the nation's hoop.
Black Elk
The fact is we are all, no matter where we live, surrounded constantly by stories, whether they are literal, oral or visual...the benign story I'm really growing tired of is the "humorous" story of the blonde woman who is either injured or humiliated all in order to sell beer. Not funny. I am tired of these stories. I am angered by these stories. There are other stories far more wondrous — stories of women claiming and reclaiming power, stories of rage and resistance and indefatigable courage, and stories of women and some men — reaching across great divides and into the most treacherous places on Earth where turmoil reigns and violence against women is unchecked, taking the hands of those women, helping to lift them up and leading them toward safety and sanctuary and self-determination.
Jennifer Beals
Talk of mysteries! — Think of our life in nature, — daily to be shown matter, to come in contact with it, — rocks, trees, wind on our cheeks! The solid earth! the actual world! the common sense! Contact! Contact! Who are we? where are we?
Henry David Thoreau
Eliade's interest is neither in the concept of profane experience nor in the derived concept of the sacred, but rather in the way these two are actually experienced. It is the phenomenological method that claims to describe these experiences of the sacred and the profane... When Eliade defines myth as a "true story" he is giving us a phenomenological description. For the people for whom the myth is a true story, it is not a figment of the imagination or merely a subjective belief but the perceived reality in which they live out their lives. What constitute's one's life, is the world fraught with meaning and value. It is the living perception of people. That and that alone is what is meant by phenomena.
Mircea Eliade
Nuto, who had never really gone away, still wanted to understand the world and change it, and upset the cycle of the seasons. Or perhaps he didn't, and still believed only in the moon. But I, who didn't believe in the moon, knew that when all was said and done only the seasons matter and they are in your bones and they nurtured you when you were a boy.
Cesare Pavese
Gordimer, Nadine
Gordis, Robert
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