"I can't believe that people really prefer to go to the concert hall under intellectually trying, socially trying, physically trying conditions, unable to repeat something they have missed, when they can sit at home under the most comfortable and stimulating circumstances and hear it as they want to hear it. I can't imagine what would happen to literature today if one were obliged to congregate in an unpleasant hall and read novels projected on a screen." See: recording Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.
Milton Babbitt
» Milton Babbitt - all quotes »
"We have all been affected as composers, as teachers, as musicians by recordings to an extent that cannot possibly be calculated as yet or predicted for the future. The music which is being most widely disseminated and most widely discussed, and therefore most widely imitated and influential, is that music which is available on records. The music that is only published is very little known. I don't think one can possibly exaggerate the extent to which the climate of music today is determined by the fact that the total Webern is available on records, that the total Schoenberg is becoming available." Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.
Milton Babbitt
"Somebody will ask those of us who compose with the aid of computers: 'So you make all these decisions for the computer or the electronic medium but wouldn't you like to have a performer who makes certain other decisions?' Many composers don't mind collaborating with the performer with regards to decisions of tempo, or rhythm, or dynamics, or timbre, but ask them if they would allow the performer to make decisions with regard to pitch and the answer will be 'Pitches you don't change.' Some of us feel the same way in regard to the other musical aspects that are traditionally considered secondary, but which we consider fundamental. As for the future of electronic music, it seems quite obvious to me that its unique resources guarantee its use, because it has shifted the boundaries of music away from the limitations of the acoustical instrument, of the performer's coordinating capabilities, to the almost infinite limitations of the electronic instrument. The new limitations are the human ones of perception." Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.
Milton Babbitt
I performed at a show at the MoMA. There was this big dinner there, and I was seated in this hall with the mayor of New York and all these extremely wealthy art-supporting and art-buying people. There was a piece of work hanging in the hall-it was a fan. This fan was supposed to swing by the momentum of its own propeller. So, while we were having dinner, the fan was stopped, and the guy next to me, a curator at P.S.1, said, "Look, this is what art symbolizes today." Like, that piece of art is supposed to be moving, but just to have dinner we've stopped the art. That's what New York is like today. You can't have real art happen in an institution because rich people can make the world stop. The stuff on the street is a lot more interesting.
M.I.A.
It's only when you become love — in other words, when you have dropped your illusions and attachments — that you will "know." As you identify less and less with the "me," you will be more at ease with everybody and with everything. Do you know why? Because you are no longer afraid of being hurt or not liked. You no longer desire to impress anyone. Can you imagine the relief when you don't have to impress anybody anymore? Oh, what a relief. Happiness at last! You no longer feel the need or the compulsion to explain things anymore. It's all right. What is there to be explained? And you don't feel the need or compulsion to apologize anymore. I'd much rather hear you say, "I've come awake," than hear you say, "I'm sorry." I'd much rather hear you say to me, "I've come awake since we last met; what I did to you won't happen again," than to hear you say, "I'm so sorry for what I did to you."
Anthony de Mello
Never in a million years will you hear somebody on the radio say "I'm up for runnin' up on them crackers in city hall."
Dave Chappelle
Babbitt, Milton
Babinet, Jacques
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z