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When we started the idea was to have one big song and it would have little parts. We kinda got the idea from Wire. And we were trying to purge the Blue Oyster Cult and Creedence so we wouldn’t be derivative. We felt tainted because a lot of these punk rockers had just started playing and wrote their songs immediately; they didn’t have the years in the bedroom copying records like us. And then there were the punk rockers singing their songs and it dawned on us that they were trying to tell us something that was on their minds. We grew up during the ’60s, although our teen years were all in the ’70s, and I think part of the ’60s was that this is a country born out of protest, so it’s traditional to embrace the idea that things might not be working out so right, and ask what does it all mean? So a lot of times the songs are kind of little weird summaries of the discussions we had with each other.

 

Mike Watt

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I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim too ugly or too this or too that. Songs that run you down or poke fun at you on account of your bad luck or hard traveling. ... I am out to fight those songs to my very last breath of air and my last drop of blood.
I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work.
And the songs that I sing are made up for the most part by all sorts of folks just about like you. I could hire out to the other side, the big money side, and get several dollars every week just to quit singing my own kind of songs and to sing the kind that knock you down still farther and the ones that poke fun at you even more and the ones that make you think you've not any sense at all. But I decided a long time ago that I'd starve to death before I'd sing any such songs as that. The radio waves and your movies and your jukeboxes and your songbooks are already loaded down and running over with such no good songs as that anyhow.

 

Woody Guthrie

 

Fa-Fa-Fa-Fa-Fa-Fa-Fa-Fa-Fa Fa-Fa-Fa-Fa-Fa-Fa-Fa-Fa
I keep singing them sad sad songs, y'all.
Sad songs is all I know.
I keep singing them sad sad songs, y'all.
Sad songs is all I know.
It has a sweet melody tonight
Anybody can sing it any old time.
What's in your heart puts you in a groove
And when you sing this song,
It'll make you're whole body move.

 

Otis Redding

 

[My mother] said, "Arlo, I was out in the middle of China. And they brought out these school kids, and they started singing us songs, and they started singing 'This Land is Your Land', and I said 'STOP! Stop the song! My husband wrote that song!" She must have drove them nuts! She was driving me nuts about it! It was weeks after she had got back she hadn't slowed down about it one little bit! And I just looked at her and I said, "You know, mom...California.....to the New York Island. What are they singing it for over there anyhow?" She just looked with one of those Mom kind of looks. She said, "Oh Arlo..." She walked away. I was left standing there feeling like my usual self. I knew she was right, but I just didn't know why. After a while though, it come to me. I could see it, just because it said "California to the New York Island", didn't mean it had to go the short way! I could see it going around back! Redwood Forests, Gulf stream waters, around that way! Then the whole world could be singing that song! Except America.

 

Arlo Guthrie

 

I was recording with The Polyphonic Spree, recording The Fragile Army, and we were holed up in January in Minnesota at our studio. They called Mike in to play, and we just hit it off, in a really, really special way. Actually, the night after meeting and having a conversation with him, I sat down and I wrote "All My Stars Aligned". And I just kind of had an idea, "Wouldn't it be amazing if Mike Garson played? So the guy who played solo in Aladdin Sane, wouldn't it be amazing if this guy played this song?"
And I wrote it, based on a conversation we had, but I didn't want to ask him, because I felt shy, and nervous, and everything. It was a few months later, actually, we kind of got in touch, and, 'Oh, what are you doing?', and I sent him a couple songs that I was working on. I sent him "Your Lips Are Red" and I sent him "All My Stars Aligned", just to show, you know, 'wink-wink, hint-hint, this is what I'm doing.' And he wrote me back, the things that we'd said, and asked to play on the record. So I was, 'Well, okay, if you insist…'
That worked out pretty miraculously.

 

St. (musician) Vincent

 

I was recording with The Polyphonic Spree, recording The Fragile Army, and we were holed up in January in Minnesota at our studio. They called Mike in to play, and we just hit it off, in a really, really special way. Actually, the night after meeting and having a conversation with him, I sat down and I wrote "All My Stars Aligned". And I just kind of had an idea, "Wouldn't it be amazing if Mike Garson played? So the guy who played solo in Aladdin Sane, wouldn't it be amazing if this guy played this song?"
And I wrote it, based on a conversation we had, but I didn't want to ask him, because I felt shy, and nervous, and everything. It was a few months later, actually, we kind of got in touch, and, 'Oh, what are you doing?', and I sent him a couple songs that I was working on. I sent him "Your Lips Are Red" and I sent him "All My Stars Aligned", just to show, you know, 'wink-wink, hint-hint, this is what I'm doing.' And he wrote me back, the things that we'd said, and asked to play on the record. So I was, 'Well, okay, if you insist…'
That worked out pretty miraculously.

 

Annie Clark