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Michael Chabon

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[L]ook at yourself right now... hoping to lose yourself—your home, your certainties, the borders and boundaries of your life—by means of a bundle of wood pulp, sewn and glued and stained with blobs of pigment and resin. People with Books. ... It makes me want to laugh.
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Afterword

 
Michael Chabon

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Maybe not you, buddy, but the rest are even scared to open up and laugh. You know, that's the first thing that got me about this place, that there wasn't anybody laughing. I haven't heard a real laugh since I came through that door, do you know that? Man, when you lose your laugh you lose your footing.

 
Ken Kesey
 

Bridges are thresholds to other realities, archetypal, primal symbols of shifting consciousness. They are passageways, conduits, and connectors that connote transitioning, crossing borders, and changing perspectives. Bridges span liminal (threshold) spaces between worlds, spaces I call nepantla, a Nahuatl word meaning tierra entre medio. Transformations occur in this in-between space, an unstable, unpredictable, precarious, always-in-transition space lacking clear boundaries. Nepantla es tierra desconocida, and living in this liminal zone means being in a constant state of displacement--an uncomfortable, even alarming feeling. Most of us dwell in nepantla so much of the time it’s become a sort of “home.” Though this state links us to other ideas, people, and worlds, we feel threatened by these new connections and the change they engender.

 
Gloria E. Anzaldua
 

If we agree to return to the 1967 borders, we relinquish the Land of Palestine....We may be able to return to the 1967 borders through politics, but to the 1948 borders, we will never return through politics. As for the 1948 borders – no-one in the world recognizes our right to them....Because all the international laws deny the Palestinians their true borders. We may accept the [1967 borders], but the blood of our forefathers calls upon us to return to [the 1948 borders].

 
Ibrahim Mudeiris
 

We can laugh at comedies like this for two reasons: Because we feel superior to the characters, or because we pity or like them. I do not much like laughing down at people, which is why the comedies of Adam Sandler make me squirmy (most people, I know, laugh because they like him). In the case of Napoleon Dynamite, I certainly don't like him, but then the movie makes no attempt to make him likable. Truth is, it doesn't even try to be a comedy. It tells his story and we are supposed to laugh because we find humor the movie pretends it doesn't know about.

 
Roger Ebert
 

My heart is a stone: heavy with sadness for my people; cold with the knowledge that no treaty will keep whites out of our lands; hard with the determination to resist as long as I live and breathe. Now we are weak and many of our people are afraid. But hear me: a single twig breaks, but the bundle of twigs is strong. Someday I will embrace our brother tribes and draw them into a bundle and together we will win our country back from the whites.

 
Tecumseh (popular pronunciation of Tecumtha)
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