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I knew that I shouldn't have, but I did it all the same; and there you have my epitaph, or one of them, because my grave is going to require a monument inscribed on all four sides with rueful mottoes, in small characters, set close together.

 

Michael Chabon

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Christopher Wren, the leading architect of London's reconstruction after the great fire of 1666, lies buried beneath the floor of his most famous building, St. Paul's cathedral. No elaborate sarcophagus adorns the site. Instead, we find only the famous epitaph written by his son and now inscribed into the floor: “si monumentum requiris, circumspice”—if you are searching for his monument, look around. A tad grandiose, perhaps, but I have never read a finer testimony to the central importance—one might even say sacredness — of actual places, rather than replicas, symbols, or other forms of vicarious resemblance.

 

Stephen Jay Gould

 

Unlike most wars, which make rotten fiction in themselves — all plot and no characters, or made-up characters — Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.

 

Wilfrid Sheed

 

I knew then that it would end badly, her and Corrigan, these children. Someone or other was going to get torn asunder. And yet why shouldn't they fall in love, if even just for a short while? Why shouldn't Corrigan live his life in the body that was hurting him, giving up in places? Why shouldn't he have a moment of release from this God of his? It was a torture shop for him, worrying about the world, having to deal with intricacies when what he really wanted was to be ordinary and do the simple thing.

 

Colum McCann

 

Yes. Women characters are once again assuming significance in films. Karan Johar, Sanjay Bhansali and Yash uncle conceive wonderful women characters. In the ’50s and ’60s, Bimal Roy and Guru Duttji wrote beautiful roles for heroines. You couldn’t take your eyes off a close-up of Waheedaji, Nargisji, Nutanji or Meenaji. Times are changing again. The Bhansali-shot close-ups of Ash and Madhuri in Devdas were awesome.

 

Rani Mukerji

 

I shouldn’t care what you suffered. I care nothing for your sufferings. Why shouldn’t you suffer? I do! Will you forget me — will you be happy when I am in the earth? Will you say, twenty years hence, “That’s the grave of Catherine Earnshaw. I loved her long ago, and was wretched to lose her; but it is past. I’ve loved many others since - my children are dearer to me than she was, and, at death, I shall not rejoice that I am going to her, I shall be sorry that I must leave them!” Will you say so, Heathcliff?

 

Emily Bronte