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Michael Chabon

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I would give a good deal of money, blood, books or years to be able to watch as Amanda, in a picture hat, looked back from the vantage of a long and productive career to reject her first published efforts as uneven or only halfway there or, worst of all, as promising, or to see her condescend to them, cuddle them almost, as mature writers sometimes do with their early books, the way we give our old stuffed pony or elephant, with its one missing shirt-button eye, a fond squeeze before returning it to the hatbox in the attic.
--
The New York Times Magazine (December 28th, 2003)
--
About Amanda Davis, who died at the age of 32 in a plane crash

 
Michael Chabon

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The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation. It's heart-breaking how often I have to say when I'm giving talks, "This book is out of print. This book is out of print." It's a roll call of dead books.

 
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In the literature on Zen Buddhism, there are writers such as Suzuki, whose authenticity is beyond doubt—he speaks of what he has experienced. The very fact of this authenticity makes his books often difficult to read, because it is of the essence of Zen not to give answers that are rationally satisfying. There are some other books which seem to portray the thoughts of Zen properly, but whose authors are mere intellectuals whose experience is shallow. Their books are easier to understand, but they do not convey the essential quality of Zen.

 
D. T. Suzuki
 

In the literature on Zen Buddhism, there are writers such as Suzuki, whose authenticity is beyond doubt--he speaks of what he has experienced. The very fact of this authenticity makes his books often difficult to read, because it is of the essence of Zen not to give answers that are rationally satisfying. There are some other books which seem to portray the thoughts of Zen properly, but whose authors are mere intellectuals whose experience is shallow. Their books are easier to understand, but they do not convey the essential quality of Zen.

 
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I tend to keep books of art more than anything else now. I'm interested in visual things. And astronomy books. Things you can look at over and over and over again and see something new. ... My notions of God and the universe have always been too small. And limited by language. So now I'm looking at picture books. My children say I'm just beginning to enter my dotage: can't read, just looks at picture books.

 
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‘You served here how long, Cornelius?’
‘Long enough to learn about what they believe. Not long enough to learn to speak their language well enough to get their confidence. Not long enough to learn how to read their books. Now I’ve three years before retirement and a measure of spare time for getting down to it.’
‘This, you know,’ Marcellus said, ‘is all wrong. You’re not here to get their confidence or read their books. They’re a colonized people. We’re here to give orders.
‘They’d rather die than obey some of the Roman orders. Besides, it’s laid down that their religion is inviolate...’

 
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