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Had Shakspeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.
--
Letter to Arthur Hugh Clough (December 1847/early 1848).

 

Matthew Arnold

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When I had my own company on Traffic and Coonskin, all metaphors were able to get to the screen clearly. In Cool World, with the producer and Paramount watching me carefully to make sure I was in good taste, I instinctively poured stuff into the picture that I wanted to talk about. But when you force stuff, it's not really very clear. But, I have a great love for Max Fleischer, especially some of his Black & White Betty Boops with their strange Cab Calloway and Louis Armstrong black folk tale jazz hipness that part of Cool World was a homage in style to those films and that style of cartooning. The Grim Reaper is right out of a Max Fleischer cartoon or old Terrytoons, which is why I hired and love Milton Knight the artist. He understands totally the Uncle Remus fable like qualities behind Fleischer and Terrytoons. Milton Knight is probably the purest artist of that style in the business. He has a hard time because studios think he is old fashioned...but that's the point.

 

Ralph Bakshi

 

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Reinhold Niebuhr

 

When any good attitude or concept or system worked well, we hung onto it. We preserved representative democracy, intended for a time when only a few could get to the capital to speak for the many. Modern finance was designed in the 17th century. Literacy as a test of intelligence came in the 15th century. The idea of progress is 19th century. And yet, all of those things are part of our mental furniture today, because when the answer to a question -- a solution to a problem -- suits us, we kind of institutionalize it, so that it won't change even when we do. The business of questioning, itself, has been institutionalized like that, in the kind of place that Jodrell Bank telescope belongs to: a university.

 

James (science historian) Burke

 

His greatest achievement is in taking the fusty world of magic and dragging it by its faded velvet lapels into the 21st century. For in many ways Brown is an old-fashioned illusionist, something to which both his set – with its vaudeville atmosphere – and his patter attests, but, by giving his tricks the veneer of science and psychology, he makes them appeal to a modern, and supposedly more savvy, audience. – The Stage

 

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Unlike modern man, who dreams of the world he will make, pre-modern man dreamed of the world he left.

 

Robert Heilbroner