I quite like the transitions of being an actor, because you get to explore these little pockets of life. So if you’re playing a builder you get to know about building, if you’re playing a scientist or a physician or something you get to know about physics. And similarly with this world I like exploring their culture, that very sort of upper middle class, addictive… that’s part of the reason I love it.
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As quoted in "The Big Interview : Matt Smith" at officiallondontheatre (14 May 2008 )Matt Smith (actor)
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White middle-class girls at the elite colleges and universities seem to want the world handed to them on a platter. They have been sheltered, coddled and flattered. Having taught at a wide variety of institutions over my ill-starred career, I have observed that working-class or lower-middle-class girls, who are from financially struggling families and must take a patchwork of menial jobs to stay in school, are usually the least hospitable to feminist rhetoric. They see life as it is and have fewer illusions about sex. It is affluent, upper-middle class students who most spout the party line — as if the grisly hyperemotionalism of feminist jargon satisfies their hunger for meaningful experiences outside their eventless upbringing. In the absence of war, invent one.
Camille Paglia
One is reminded of the actor, playing the role of a villain in a traveling theatrical troupe, who, at a particularly tense moment in the play, was shot by an excited cowpuncher in the audience. But this kind of confusion does not seem to be confined to unsophisticated theatergoers. [...] Paul Muni, after playing the part of Clarence Darrow in Inherit the Wind, was invited to address the American Bar Association; Ralph Bellamy, after playing the role of Frankin D. Roosevelt in Sunrise at Campobello, was invited by several colleges to speak on Roosevelt. Also, there are those astonishing patriots who rushed to the recruiting offices to help defend the nation when, on October 30, 1938, the United States was "invaded" by an "army from Mars" in a radio dramatization.
S. I. Hayakawa
When I look at a building, how can I know there was a builder? Can't see him, hear him, touch him, taste him or smell him, so how can I know there was a builder? Well, the building is absolute proof there was a builder. I couldn't want better proof that there was a builder than to have the building as evidence. I don't need faith to believe in a builder, all I need is eyes that can see and a brain that works. Now the same deep, rich, scientific principle works with paintings and painters.... And the same principle works with God. When I look at Creation how can I know there was a creator? Well, creation is absolute proof there was a creator. I don't need faith to believe in a creator, all I need is eyes that can see and a brain that works.
Ray Comfort
Inequality has the natural and necessary effect, under the present circumstances, of materializing our upper class, vulgarizing our middle class, and brutalizing our lower class.
Matthew Arnold
It would be hard to find a single example in history in which a group that cast more than 50 percent of the vote got away with calling itself the victim... Women are the only 'oppressed' group to share the same parents as the 'oppressor'; to be born into the middle class and upper class as frequently as the 'oppressor'; to own more of the culture's luxury items than the 'oppressor'...
Warren Farrell
Smith, Matt (actor)
Smith, Michael Marshall
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