Surrounded by army, you think you're going to die. You can't shower because they'll find you nude.
Martin Firrell
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"The shower is my time to open up my operatic chops, because of the enormous echo. You sound five times as big in the shower, so I break into some "Nessun Dorma" [from Puccini's Turandot] or Pearl Jam. You've got to go big when you're in the shower. There's no half-singing in the shower, you're either a rock star or an opera diva."
Josh Groban
Two pictures painted in the year 1907 can conveniently be taken as the starting point of twentieth-century art. They are Matisse's Blue Nude and Picasso's Demoiselles d'Avignon; and both these cardinal, revolutionary pictures represent the nude. The reason is that the revolt of twentieth-century painters was not against academicism: that had been achieved by the impressionists. It was a revolt against the doctrine, with which the impressionists implicitly agreed, that the painter should be no more than a sensitive and well-informed camera. And the very elements of symbolism and abstraction that made the nude an unsuitable subject for the impressionists commended it to their successors. When art was once more concerned with concepts rather than sensations, the nude was the first concept that came to mind.
Kenneth Clark
There are those who so dislike the nude that they find something indecent in the naked truth.
F. H. Bradley
Girls love their showers, they spend like twelve hours in there. I know why too, I read in Cosmo. It said that, "Eighty three percent of all women masturbate in the shower." That's wonderful. I can't masturbate in the shower cause my legs give out and then I rip down the shower curtain. And then my Mom gets mad. And I have to go to bed without dinner. I masturbated in the car once. That's a cry for help. I wouldn't do it again, though, 'cause the cab driver got really pissed off. I was like, "I'm sorry sir, all I saw was the non-smoking sign."
Mitch Fatel
We are told of the honor of the army; we are supposed to love and respect it. Ah, yes, of course, an army that would rise to the first threat, that would defend French soil, that army is the nation itself, and for that army we have nothing but devotion and respect. But this is not about that army, whose dignity we are seeking, in our cry for justice. What is at stake is the sword, the master that will one day, perhaps, be forced upon us. Bow and scrape before that sword, that god? No!
Emile Zola
Firrell, Martin
Fish, Michael
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