The elegant simplifications of the human form, picked out with Beck's layered color, is reminiscent of the 19th-century Munich school, a style conceived to ennoble the human form and the very atmosphere it walks through. Beck crosses this up with his ugly folks and perverse demi-narratives. It is just the unpredictability of beauty and disgust mixing that arrests the viewer -- and sometimes makes him or her mad as a wet hen.
--
Bischoff, Dan (March 30, 2001). "Painter provokes with naked precision". The Sunday Star-Ledger.Martin Beck
Beck, Martin
Becker, Carl
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