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Marshall McLuhan

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By phonemic transformation into visual terms, the alphabet became a universal, abstract, static container of meaningless sounds.

 
Marshall McLuhan

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The alphabet, when pushed to a high degree of abstract visual intensity, became typography. The printed word with its specialist intensity burst the bonds of medieval corporate guilds and monasteries, created extreme individualist patterns of enterprise and monopoly.

 
Marshall McLuhan
 

Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.

 
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We are in the position of the man who has only two ambitions in life. One is to invent the universal solvent which will dissolve any solid substance, and the second is to invent the universal container which will hold any liquid. Whatever this inventor does, he will be frustrated.

 
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As the great words of freedom and fulfillment are pronounced by campaigning leaders and politicians, on the screens and radios and stages, they turn into meaningless sounds which obtain meaning only in the context of propaganda, business, discipline, and relaxation. This assimilation of the ideal with reality testifies to the extent to which the ideal has been surpassed. It is brought down from the sublimated realm of the soul or the spirit or the inner man, and translated into operational terms and problems. Here are the progressive elements of mass culture. The perversion is indicative of the fact that advanced industrial society is confronted with the possibility of a materialization of ideals. The capabilities of this society are progressively reducing the sublimated realm in which the condition of man was represented, idealized, and indicted. Higher culture becomes part of the material culture. In this transformation, it loses the greater part of its truth.

 
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The interiorization of the technology of the phonetic alphabet translates man from the magical world of the ear to the neutral visual world.

 
Marshall McLuhan
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