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Marshall McLuhan

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Non-literate societies cannot see films or photos without much training.

 
Marshall McLuhan

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One of the things that's great about Training Day is that you have two very distinct personalities, but it's true: it also has a great plot. If you can do both, it's incredibly exciting for the audience. Oftentimes, you have art films that have no narrative to speak of and instead offer characterization; then you have mainstream movies that are simple formulas, A-B-C-D. Training Day is a good combo.

 
Ethan Hawke
 

Action films are definitely a lot of training and I do a lot of my own stunts, so I definitely am in there for the long haul for the training process. But I love it. Martial arts is something I’ve always loved doing. It’s the only form of exercise that I can deal with. Everything else is really boring and mind-numbing. So for me it’s just really fun. I love to sort of feel like a superhero in that sense, to be able to fly through the air and to be on wires. It just makes me feel like I’m in Magic Mountain or something. I love it.

 
Milla Jovovich
 

I am the kind of guy who believes that films are supposed to be entertainment. I do not subscribe much to movies that leave you with a lingering feeling, make you feel angry or depressed. I am not yet ready to make films like that. I have grown up with films that are entertaining. Since I am such a huge fan of entertainment, I believe that the films that I do should also be entertaining, people can talk about it for three days and forget about it.

 
R. Madhavan
 

Education and training for all children to be equal in opportunity in all schools, colleges, universities, and other institutions of training in the professions and vocations in life; to be regulated on the capacity of children to learn, and not on the ability of parents to pay the costs. Training for life's work to be as much universal and thorough for all walks of life as has been the training in the arts of killing.

 
Huey Long
 

It is a loose book, impressionistic, hardly coherent as a continuous narrative. It is full of descriptions of court life, and the retelling of court gossip and descriptions of fashionable shrines and how to get there by the most elegant means. It is a piece of writing replete with those typical Japanese wistful and melancholic evocations of ephemerality. It was written a thousand years ago almost exactly to the year the film was made, and it was written by a woman. To be literate a thousand years ago in the West was pretty uncommon; to be literate and a woman, very unlikely; to be literate, female, and quite brilliant, a well-nigh Western impossibility.

 
Sei Shonagon
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