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Marlon Brando

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There's a line in the picture where he snarls, "Nobody tells me what to do." That's exactly how I've felt all my life.
--
Marlon Brando, Portraits and Film Stills 1946-1995 (1996) Speaking about the film The Wild One (1953).

 
Marlon Brando

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Correct me if I'm wrong here, but truth is something that arises out of the relationship between language and the world. If I look at a picture alone, it tells me nothing. In the previous incarnation of this lecture, I was going to put a picture of the Titanic and the Lusitania up on the screen. They look very, very similar - four smokestacks. They look almost identical. You look at either picture, true or false? Neither. Put a caption at the bottom of one of them, that changes everything. If you put in the caption, "This is the Lusitania," and the picture is a picture of the Lusitania, then the caption is true. However, the picture itself is neither true nor false. It's just a picture.

 
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I ask the obvious question to this man who often spends years on each of his paintings: "How do you know when a painting is finished?" His response: "The picture tells you."

 
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"But this would be a beautiful place for a fight," he began again persuasively. "These great bare rolling Downs for the arena, — and me in my golden armour showing up against your big blue scaly coils! Think what a picture it would make!"
"Now you're trying to get at me through my artistic sensibilities," said the dragon. "But it won't work. Not but what it would make a very pretty picture, as you say," he added, wavering a little.

 
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What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.

 
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So we pulled up to this diner, where people told us that we could get some good pie. And I like pie. Do you like pie too? So, we go in there, and we say, "Oh, what kind of pie you got?' And they didn't have sweet potato pie, they didn't have pumpkin pie. They had some cream pies mostly, which is OK with me. So, I got some coconut cream pie. And Governor Strickland, he got lemon meringue pie.
So while we're waiting for our pie, the staff come and they want to take a picture with me because they say, you know, the owner of this dinner is a staunch die-hard Republican, so we want to kind of tease him a little bit by getting this picture with you. So we're taking this picture and suddenly the owner comes out with the pie. And he looks at me and I say, "Sir, I understand that you are a die-hard Republican." He says, "That's right." I said, "How's business?" He said, "Not so good." He said, "My customer, they can't afford to eat out anymore." I said, "Who's been in charge of the economy for the last eight years?" He said, "Republicans." I said, "You know, if you kept on hitting your head against a wall over and over again and it started to hurt, at some point would you stop hitting your head against the wall?" He said, "You've got a point."

 
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