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All social space is suffused with political meanings and agendas, the very stones and walls a kind of testament to the ongoing struggles for liberation and justices.
--
Chapter 4, Spaces And Dreams, p. 174

 

Mark Kingwell

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Our workmen, in their hurry to finish, devote themselves only to the facings of the walls, setting them upright but filling the space between with a lot of broken stones and mortar thrown in anyhow. This makes three different sections in the same structure; two consisting of facing and one of filling between them. The Greeks, however, do not build so; but laying their stones level and building every other stone lengthwise into the thickness, they do not fill the space between, but construct the thickness of their walls in one solid and unbroken mass from the facings to the interior. Further, at intervals they lay single stones which run through the entire thickness of the wall. These stones... by their bonding powers... add very greatly to the solidity of the walls.

 

Vitruvius

 

Christian anarchism does share a lot with Christian pacifism, but it goes further, especially by carrying this pacifism forward as implying a critique of the violent state. Christian anarchism also shares a lot with liberation theology especially its insistence that Christianity does have very real political implications. But Christian anarchism is critical of liberation theology's emphasis on human agency, of its compromise with violence, and its lack of New Testament references compared to Christian anarchism. In short, while related to at least two important trends within Christian political thinking, Christian anarchism is more radical than both, and thus provides a unique contribution to Christian political thought. … It is a unique political theology, and a unique political theory

 

Alexandre Christoyannopoulos

 

Above all it is necessary to cure the labour movement of its inner ossification and rid it of the empty sloganeering of the political parties, so that it may forge ahead intellectually and develop within itself the creative conditions which must precede the realisation of Socialism. The practical attainability of this goal must become for the workers an inner certainty and must ripen into an ethical necessity. The great final goal of Socialism must emerge from all the practical daily struggles, and must give them a social character. In the pettiest struggle, born of the needs of the moment, there must be mirrored the great goal of social liberation, and each such struggle must help to smooth the way and strengthen the spirit which transforms the inner longing of its bearers into will and deed.

 

Rudolf Rocker

 

We are in a strange kind of time, where the kind of liberation movements such as anti-apartheid movements and freedom struggles in India need to be reinvented. We need to retool them so that all the gains that our generation has made can be passed on to future generations. (See http://puggy.symonds.net/pipermail/india-ej/2002-September/000452.html )

 

Vandana Shiva

 

A fundamental problem in such studies stems from the long tradition that has regarded artistic productions as social facts. by regarding such productions as social facts the analyst is relieved of the burden of demonstrating what meanings these productions have for the artist and his [sic] audience. It is too frequently assumed that such meanings can be identified by a capable analyst, independent of the interpretations brought to such works by the artist or his audiences. In my judgement artist productions must be seen as interactional creations; the meanings of which arise out of the interactions directed to them by the artist and his audience.

 

Norman Denzin