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Margot Fonteyn

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There is probably no life more enchanting than that of ballerinas. More than half their lives is spent in a world of imagination, unreal if you wish, but unlimited and totally absorbing. Into this world the difficulties and frustrations of ordinary life cannot enter. These must lurk outside the stage door until the music, the applause and the lights have faded and the exhilarated dancer comes back to earth.

 
Margot Fonteyn

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I disregard the proportions, the measures, the tempo of the ordinary world. I refuse to live in the ordinary world as ordinary women. To enter ordinary relationships. I want ecstasy. I am a neurotic — in the sense that I live in my world. I will not adjust myself to the world. I am adjusted to myself.

 
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"There isn't any room," said Joshua. "You travel back along the line of time and you don't find the past, but another world, another bracket of consciousness. The earth would be the same, you see, or almost the same. Same trees, same rivers, same hills, but it wouldn't be the world we know. Because it has lived a different life, it has developed differently. The second back of us is not the second back of us at all, but another second, a totally separate sector of time. We live in the same second all the time. We move along within the bracket of that second, that tiny bit of time that has been allotted to our particular world."

 
Clifford D. Simak
 

The first half of your life is spent getting over yourself. You think you’re amazing, unique. Young people walk around going, "You know the funny thing is I was just in the kitchen but now I’m here in the bedroom, get a load of me! I just go on and on!" And that’s around the age when you meet somebody else – when you’re totally unbearable. Two young, fit, healthy attractive people in love? There’s nothing worse to look at in the world! Going around going, "I can’t believe I met you cause you’re amazing and I’m amazing and we’re surrounded by shitheads, it’s just amazing! Hey, I know this really good bar, let’s go and make it better." In the second half of your life you realise how like every other hump who drew breath you really are. Except you’re MORE boring.

 
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"I think," Tehanu said in her soft, strange voice, "that I when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn't do. All that I might have been and couldn't be. All the choices I didn't make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven't been lived yet. That will be my gift back to the world that gave me the life I did live, the love I lived, the breath I breathed."

 
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Everyone is aware of the difficult and menacing situation in which human society -- shrunk into one community with a common fate — finds itself, but only a few act accordingly. Most people go on living their every-day life: half frightened, half indifferent, they behold the ghostly tragi-comedy which is being performed on the international stage before the eyes and ears of the world. But on that stage, on which the actors under the floodlights play their ordained parts, our fate of tomorrow, life or death of the nations, is being decided.

 
Albert Einstein
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