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I did not know that the rules about these things were different if you were female. I did not know that "poetess" was an insult, and that I myself would some day be called one. I did not know that to be told I had transcended my gender would be considered a compliment. I didn't know — yet — that black was compulsory. All of that was in the future. When I was sixteen, it was simple. Poetry existed; therefore it could be written; and nobody had told me — yet — the many, many reasons why it could not be written by me.

 

Margaret Atwood

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I think [Shout 2000] is a masterpiece. We did want a song that is completely opposite to our sound, you know, coming from a completely different direction, but yet at the same time has the same meaning, has lyrics like something written by Disturbed. "Shout" is perfect for it. It's about voicing your displeasure and yelling it out, shouting it out, not sitting back and taking it. But if you remember when "Shout" was written – it's an '80s pop song from England – things were softer then. I think it really blends in well with our other songs and we play it almost every night and our audiences love it... Curt Smith told us that he thinks now finally the song has the aggression he envisioned when he wrote the lyrics. Wow, that was such a great compliment. We were floored. We could hardly believe it.

 

David Draiman

 

Ramakrishna was completely simple and guileless. He told people whatever came into his mind, like a child. If he had ever been troubled by homosexual desires, if that had ever been a problem he'd have told everybody about them. … He was completely without hang-ups, talking about sex-roles, because his thoughts transcended physical love-making. He saw even the mating of two dogs on the street as an expression of the eternal male-female principle in the universe. I think that is always a sign of great spiritual enlightenment.

 

Ramakrishna

 

"In classroom settings I have often listened to groups of students tell me that racism really no longer shapes the contours of our lives, that there is no such thing as racial difference, that "we are all just people." Then a few minutes later I give them an exercise. I ask if they were about to die and could choose to come back as a white male, a white female, a black female, or a black male, which identity would they choose. Each time I do this exercise, most individuals, irrespective of gender or race invariably choose whiteness, and most often male whiteness. Black females are the least chosen. When I ask students to explain their choice they proceed to do a sophisticated analysis of privilege based on race (with perspectives that take gender and class into consideration)." - From (2003) Teaching Community: A Pedagogy of Hope

 

bell hooks

 

All kids draw and write poetry and everything, and some of us last until we're about eighteen, but most drop off at about twelve when some guy comes up and says, "You're no good." That's all we get told all our lives. "You haven't got the ability. You're a cobbler." It happened to all of us, but if somebody had told me all my life, "Yeah, you're a great artist," I would have been a more secure person.

 

John Lennon

 

He was annoyed 'cause I didn't say that he'd written one line of this song "Taxman." But I also didn't say how I wrote two lines of "Come Together" or three lines of "Eleanor Rigby," you know? I wasn't getting into any of that. I think, in the balance, I would have had more things to be niggled with him about than he would have had with me!

 

George Harrison