“Late Shri. Cakyar, was not just a skilled exponent and a capable teacher of Kutiyattam, his wisdom and depth of knowledge made him worthy of the title "Acharya" ”
- Dr. Prem Lata Sharma (noted Hindi writer and scholar of Indian arts and literature), 1994Mani Madhava Chakyar
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“The depth of creativity of the author (Mani Madhava Chakyar) is evident from the introductory Shlokas (hymns in Sanskrit) itself ”
- Dr. Prem Lata Sharma (noted Hindi writer and scholar of Indian arts and literature)Mani Madhava Chakyar
“(I got introduced to) the late and great Mani Madhava Cakyar’s King Udayana in Svapnavasavadatta. In what may have been among his last performances on the public stage I was fortunate to see Sri Cakyar, who at an advanced age, literally threw away his walking stick as he entered the stage to become a sprightly royal lover pining away for his beloved Vasavadatta. At his home in Likkadi he demonstrated the nava rasas... Sri Cakyar vividly illustrated to me that kutiyattam acting has the power to transform even the oldest person into the character he portrays”
- Prof. Farley P. Richmond (Expert on Indian theatre), Department of Theatre and Film Studies, University of Georgia.Mani Madhava Chakyar
Marx himself, unlike his millions of devotees, knew perfectly well what his rubbishy improvisations about "dialectic" etc. are worth. In 1857 he had made certain statements in print about the course of the Indian Mutiny, then going on, and he writes to Engels about these as follows: "It's possible that I shall make an ass of myself. But in that case one can always get out of it with a little dialectic. I have, of course, so worded my proposition as to be right either way." This quotation is from p. 152, Vol. 40 (!), of the Collected Works, (Lawrence and Wishart). It should be pasted over every door in every Arts faculty in the Western World. (Except that it is, alas, a little late for that.)
Karl Marx
Kawabata Yasunari, the first Japanese writer who stood on this platform as a winner of the Nobel Prize for Literature, delivered a lecture entitled Japan, the Beautiful, and Myself. It was at once very beautiful and vague. I have used the English word vague as an equivalent of that word in Japanese aiming. This Japanese adjective could have several alternatives for its English translation. The kind of vagueness that Kawabata adopted deliberately is implied in the title itself of his lecture. It can be transliterated as "myself of beautiful Japan". The vagueness of the whole title derives from the Japanese particle "no" (literally "of") linking "Myself" and "Beautiful Japan".
The vagueness of the title leaves room for various interpretations of its implications.Kenzaburo Oe
"To Guru Mani Madhava Chakyar, Kutiyattam was more than art, it was life itself"
- Mani Madhava Chakkyar: The Master at Work (film) - Kavalam N. Panickar, 1994Mani Madhava Chakyar
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