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"Now that I got everyone's attention, what do I have to say?" (VH1 Behind The Music)

 

Madonna

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Mind and its contents are functionally identical: My wife only exists, for me, in my mind. Not being a solipsist, I recognize the converse: I only exist, for her, in her mind. Lest the reader exclaim, like Byron of Wordworth, "I wish he would explain his explanation!", let us try it this way: If I am so fortunate as to be listening to the Hammerklavier sonata, the only correct answer, if you ask me suddenly, "Who are you?" would be to hum the Hammerklavier. For, with music of that quality, one is hypnotized into rapt attention: there is no division between "me" and "my experience".

 

Robert Anton Wilson

 

I think there are some objective [musical] qualities... how complex something is, how melodic, how diverse the tonality is, et cetera. But I could also make a piece of music that contains all of those and yet isn't "good" from a subjective viewpoint. For example, take Beethoven's "Moonlight Sonata", Beatles "Yesterday", and Underworld's "Born Slippy", and play them all on top of each other at the same time. Great music in their own right, but terrible sounding together.

 

Andrew Sega

 

"I suppose you don't have much time for enjoying music," Clary said, thinking of Simon, for whom music was his entire life, "in your line of work."
He shrugged. "Maybe the occasional wailing chorus of the damned."

 

Cassandra Clare

 

His language had a special vocabulary — not just "the SF" [God] and "epsilon" [child] but also "bosses" (women), "slaves" (men), "captured" (married), "liberated" (divorced), "recaptured" (remarried), "noise" (music), "poison" (alcohol), "preaching" (giving a mathematics lecture), "Sam" (the United States), and "Joe" (the Soviet Union). When he said someone had "died," Erdős meant that the person had stopped doing mathematics. When he said someone had "left," the person had died.

 

Paul Erdos

 

[Is "90 Millas" another crossover -- into World Music?] I can see that. The core is African rhythm -- half of the world's music comes from that. The difference between our music and American blues: Cubans may have been slaves, but in Cuba slaves became part of the family. They could buy their freedom. And they are Island people. And Island people are happier. But, you know, in the '80s, when we released "Conga," wasn't that World Music? Everywhere we went, people got it. And why? The drums. So maybe all music is World Music, and the only question is: Do you like it?

 

Gloria Estefan

 

It makes me very sad when I find out that people who never hear our music think that we are really about image and not about substance. … I can understand why you might get that impression if you've never heard the band's music and see a photo of a guy and a girl dressed up in crazy costumes and think, "I don't need to pay attention to that — why do they need to wear those crazy clothes?" I think that's why we've constantly toured. Our live show is so intense and so substantive and emotional that it's sort of the price we have to pay for being so flamboyant — we have to prove ourselves as a rock band.

 

Amanda Palmer