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Never was there a more delightful host for a "dinner-party," or one who took such pains for your entertainment, fresh and interesting to the last.
--
p.421.

 

Lewis Carroll

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In a never-ending search for good mathematical problems and fresh mathematical talent, Erdős crisscrossed four continents at a frenzied pace, moving from one university or research center to the next. His modus operandi was to show up on the doorstep of a fellow mathematician, declare, "My brain is open," work with his host for a day or two, until he was bored or his host was run down, and then move on to another home.
Erdős's motto was not "Other cities, other maidens" but "Another roof, another proof." He did mathematics in more than 25 different countries, completing important proofs in remote places and sometimes publishing them in equally obscure journals.

 

Paul Erdos

 

"It is the season of the Kronia, during which the god allows us to make merry. But, my dear friend, as I have no talent for amusing or entertaining I must methinks take pains not to talk mere nonsense."
"But, Caesar, can there be anyone so dull and stupid as to take pains over jesting? I always thought that such pleasantries were a relaxation of the mind and a relief from pains and cares."
"Yes, and no doubt your view is correct, but that is not how the matter strikes me. For by nature I have no turn for raillery, or parody, or raising a laugh."

 

Julian (Emperor)

 

I performed at a show at the MoMA. There was this big dinner there, and I was seated in this hall with the mayor of New York and all these extremely wealthy art-supporting and art-buying people. There was a piece of work hanging in the hall-it was a fan. This fan was supposed to swing by the momentum of its own propeller. So, while we were having dinner, the fan was stopped, and the guy next to me, a curator at P.S.1, said, "Look, this is what art symbolizes today." Like, that piece of art is supposed to be moving, but just to have dinner we've stopped the art. That's what New York is like today. You can't have real art happen in an institution because rich people can make the world stop. The stuff on the street is a lot more interesting.

 

M.I.A.

 

Mike Nichols: Interviewer: Are you going to the afterparty? Nichols: I don't know, is there another party, after the party? Interviewer: Yeah. After your dinner. Nichols: I didn't know that. I don't think I'm invited. Interviewer: Do you listen to M.I.A.? Nichols: Yes! [at MoMA "Party in the Garden" 2008]

 

M.I.A.