The microphone-amplifier-loudspeaker combination is having an enormous effect on our civilization. Not all of it is good! Consider to what heights of impudence and tyranny, and to what depths of moral depravity, has radio broadcasting and the loudspeaker attained in that recent monstrosity, Transit Radio, Inc. Almost incredible is the loathsome fact that already in 21 cities bus riders must listen to never-ending, blatant advertising and unwelcome jitterbug and bop music.
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"Dawn of the Electronic Age", Popular Mechanics, January 1952Lee De Forest
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As enclosure by the lords increased national productivity by denying the individual peasant to keep a few sheep, so the encroachment of the loudspeaker has destroyed that silence which so far had given each man and woman his or her proper and equal voice. Unless you have access to a loudspeaker, you now are silenced.
Ivan Illich
I don’t listen to anything on the radio but NPR and occasional oldies programs. I can’t comment on the content or format of most commercial radio but I have read the statistics about the step-by-step deregulation of FCC rules that has allowed monopolies like Clear Channel to buy up massive shares of the airwaves. This has damaged our business (music) and our culture (American). The internet is offering bold alternatives but a transistor radio is only $25.00 and not everyone is hooked up through a computer and high speed connection.
Natalie Merchant
The hot radio medium used in cool or nonliterate cultures has a violent effect, quite unlike its effect, say in England or America, where radio is felt as entertainment.
Marshall McLuhan
Radio affects most intimately, person-to-person, offering a world of unspoken communication between writer-speaker and the listener. That is the immediate aspect of radio. A private experience. The subliminal depths of radio are charged with the resonating echoes of tribal horns and antique drums. This is inherent in the very nature of this medium, with its power to turn the psyche and society into a single echo chamber.
Marshall McLuhan
This is the visual world, using the most advanced advertising techniques that are familiar to the crowds in their daily life.. ..What kind of representational art do you want to inflict on these men then, when they’re solicited everyday by the cinema, radio, huge photomontages and advertising hoardings? How can you compete with these enormous modern mechanisms, which give you art to the 1000th degree? (around 1950, on the modern world of billboards and neon light)
Fernand Leger
De Forest, Lee
de Grazia, Sebastian
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