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Hello, we're major label corporate rock sell outs.
--
1991-04-17 at the OK Hotel, Seattle, Washington

 

Kurt Donald Cobain

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The only time I really try for a strikeout is when I'm in a jam. If the bases are loaded with none out, for example, then I'll go for a strikeout. But most of the time I try to throw to spots. I try to get them to pop up or ground out. On a strikeout I might have to throw five or six pitches, sometimes more if there are foul-offs. That tires me. So I just try to get outs. That's what counts — outs. You win with outs, not strikeouts.

 

Sandy Koufax

 

"...I land a major record deal, complete with a huge advance of $ that helped pay off tens of thousands of dollars in debt I put myself into just for the shot at making music my full time gig. The 9/11 catastrophe hits, our economy tanks and the label pulls the plug on their whole deal. They dissolve the label but were kind enough to let me know that I needed to pay them back all the $ they had advanced."

 

Klayton

 

(When asked about pop music) Pop music has become the largest farce in music history. It is soul-less, mechanical, and only made for the sole purpose of making the fastest dollar possible, with more emphasis on imagery than the music. I would much rather remain an independent recording artist who can dictate his own creativity and make it available to a smaller community of fans then sign with a major label under conditions of compromising my work just to sell lunch boxes and sound like every other thing out there. The only artists that have any longevity are the ones that pioneer a movement not follow a movement. The hundreds of following wannabes always get left in the dust or remain one-hit-wonders.

 

Frank Klepacki

 

"Because I am not on this label or that label, which seems to be all anybody gives a sh*t about, I can't really seem to get any songs on soundtracks because of the politics involved. A record label wants to release their own artists on their soundtracks as opposed to an artist that they've never heard of and they don't really care about which I understand that from their perspective so that makes it harder for me. I'm not worried about it. I'm not making my art to earn the favor of another record label and have them put me on their soundtrack. It would be great if they want to do it but I'm not crying over it for sure if it doesn't happen."

 

Klayton

 

If someone gave me a million dollars to run a music label, I would focus on creating a specific artistic point of view, and creating some channel to build a fanbase. Warp Records was a great example of a label that had a particular style, and many people would buy records just because the artists were associated with the label.

 

Andrew Sega