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Widziałaś film "Milczenie owiec"? Co robiły owce? Milczały. Czego i tobie życzę.
--
Translation: Have you seen "The Silence of the Lambs"? What were the lambs doing? They were keeping silent. I wish you doing it as well.

 

Kuba Wojewodzki

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It would be very unfair to compare "Black" with any other film. I can't do a role of a handicapped person. It'd look like a carryover of "Black". Every film is a new experience for me. I respect my work too much to act superior about other films. "Black" is a kind of film that comes once in a lifetime. Even Sanjay [Leela Bhansali] can't make it again.

 

Rani Mukerji

 

Danny Boyle: "When I use somebody's song in a film, I like them to see the movie, if possible, so they know how it's used. She came into the cutting room and watched it. You get a lot of people giving you notes on films when you're making them, and most of them are rubbish, to be honest. People might think they're good. Well, she came in told me the film was very good, but said, "Do you want some notes?" She gave me two specific notes, both of which we included in the film, essentially saying, "If you do that there, you'll understand why he gets on the show." She's very smart."

 

M.I.A.

 

"I'm appearing in a new Working Title film. It's going to be my first big film and I'm really excited. The film itself will feature Simon Pegg, Jim Broadbent, Timothy Dalton and myself. Filming has just started."

 

Joseph McManners

 

He [Welles] was an onlooker at the clumsy, poignant suicide of "The Man on the Ledge," which took place in New York in 1938, when a boy perched for fourteen hours on a window-sill of the Gotham Hotel before plunging into the street. "I stood in the crowd outside for a long time," Welles says pensively, "and wanted to make a film of it all. But they tell me that in the Hollywood version of the film they gave the boy a reason for what he did. That's crazy. It's the crowd that needs explaining."

 

Orson Welles

 

This sort of scenario has happened, I imagine, millions of times. It has rarely happened in a nicer, sweeter, more gentle way than in Richard Linklater's "Before Sunrise," which I could call a "Love Affair" for Generation X, except that Jesse and Celine stand outside their generation, and especially outside its boring insistence on being bored.
The R rating for this film, based on a few four-letter words, is entirely unjustified. It is an ideal film for teenagers.

 

Roger Ebert