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Dialectics in many different forms has a surprisingly good press. Most people believe that struggle is very important and that it is important to be on the right side in a conflict.... Part of the difficulty is that the human race has an enormous and by no means unreasonable passion for the dramatic, and conflict is much more dramatic than production....The awful truth about the universe - that it is not only rather a muddle, but also pretty dull - is wholly unacceptable to the human imagination. Nevertheless, it is the dull, nondialectical processes that hold the world together, that move it forward, and that provide the setting within which the dialectical processes take place. Evolution is the theatre, dialectics the play. It is a tragic error to mistake the play for the theatre, however, because that all too easily ends in the theatre burning down... Unless there is a reasonably widespread appreciation of the proper role of dialectical processes, these tend to get out of hand and become extremely destructive.... doing more harm than good.
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p.266 as cited in: "Ecodynamics and societal evolution" at Kairos @ Laetus-in-Praesens.org. Accessed Feb 25, 2012

 

Kenneth Boulding

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Be these people either Conservatives or Socialists, Yellows or Reds, the most important thing is — and that is the point I want to stress — that all of them are right in the plain and moral sense of the word. . . I ask whether it is not possible to see in the present social conflict of the world an analogous struggle between two, three, five equally serious verities and equally generous idealisms? I think it is possible, and that is the most dramatic element in modern civilization, that a human truth is opposed to another human truth no less human, ideal against ideal, positive worth against worth no less positive, instead of the struggle being as we are so often told, one between noble truth and vile selfish error.

 

Karel Capek

 

I like the liveness of it (theatre, fh) – that awful feeling of being on the spot. I must assume the responsibility for that moment, for those actions that happen at that particular time. I don’t find theatre that different from painting, and it’s not that I think of painting as theatre or vice versa. I tend to think of working as a kind of involvement with materials, as well as rather focused interest which changes.

 

Robert Rauschenberg

 

The thrill he gets from music is something he wants theatre to be able to transmit. Of his favourite band, Radiohead, he says, with typical exuberance: "That’s it. That’s what I want when I go to the theatre, when I’m in a play, is them, and that experience that I get from them. I admire the musicianship, I admire the soul that goes into it, and the execution and the work, the preparation. Everything is done right, I think, and done with good intention and soul and heart and good spirit. They are a lesson to us all."

 

Matt (actor) Smith

 

A distinction does not have to be clear to be important, and, at some point, there is a common-sense dividing line between procedural and violent conflict. Violence is most closely associated with conquest as a form of conflict settlement, though violence is descriptive of a conflict process rather than of a conflict settlement. It is quite possible, for instance, for conquest to be nonviolent, that is, for one party to be absorbed in another or for one organization to be dissolved by strictly procedural means. Departments are organized out of existence, countries are federated or united, organizations are laid down, and firms are bankrupted by purely procedural processes, without more than perhaps a trace of legal coercion lurking in the background.

 

Kenneth Boulding

 

I would quite like to try my hand at directing although I would do it in the theatre rather than in TV or film. Theatre is more just about telling the story. I understand the way the theatre works. I will leave the TV to the experts. Doctor Who is very complicated to direct. It would be impossible to direct that and act in it as well.

 

David Tennant