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It's a face audiences love to look at--a face that people can project their own emotions on, and she's incredibly lucky to look the way she does.
--
Joe Wright, her director in Pride & Prejudice (2005) and Atonement (2007).

 

Keira Knightley

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This week has been one of the hardest I've ever lived. My close friend, Adam had passed away. Known for his impeccable DJing. He was much more than that to me and many, many other people. He helped and touched everyone who met him. Treating you as if he had known you forever. He was always sharing such joy among others… and if you were lucky enough to hear the sound of his laughter, you got to hear something very, very, special. It's incredibly hard to think of what to say about you Adam, as tears are running down my face. All I can say is I love you Adam and I miss you and am so glad you were someone in my sister’s, and my life.

 

Adam Goldstein

 

I'm under the assumption, and maybe this is purely ridiculous, but I'm under the assumption that you don't just take their word at face value. That you actually then go around and try to figure it out. So, I again—you now become the face of this and that is incredibly unfortunate. Because you are not the face of it, you shouldn't be the face of it. You are the person that was I-don't-know-what enough to stand up and go, "Hey, that's wasn't fair!" Which, it's not because this show isn't fair. And you can tell Doucheborough that it's not supposed to be fair. [...] That's not our job.

 

Jon Stewart

 

There’s plenty of rude stuff online. People say things online that they would be ashamed to say face to face. If people could treat others as though they were speaking face to face, that would be huge.

 

Jimmy Wales

 

Garbo still belongs to that moment in cinema when capturing the human face still plunged audiences into the deepest ecstasy, when one literally lost oneself in a human image as one would in a philtre, when the face represented a kind of absolute state of the flesh, which could be neither reached nor renounced.

 

Greta Garbo

 

He lies on top of her, sweating, taking great breaths, watching her face turned 3/4 away, not even a profile, but the terrible Face That is No Face, gone too abstract, unreachable: the notch of the eye socket, but never the labile eye, only the anonymous curve of cheek, convexity of mouth, a noseless mask of the Other Order of Being, of Katje's being — the lifeless non-face that is the only face of hers he really knows, or will ever remember.

 

Thomas Pynchon