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In a musical sense, it seemed like all the good intentions had gone awry, very quickly. I mean, we got back from America and Blur had made The Great Escape, which I thought was a really, truly awful album - so cheesy, like a parody of Parklife, but without the balls or the intellect. And Oasis were enormous and I always found them incredibly dreary. There was this uncritical reverence surrounding the whole thing
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On the state of Brit Pop
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Elastica Limits interview, March 10th 2002 by Andrew Smith, The Guardian

 

Justine Frischmann

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We must constantly encourage Western journalists to write precisely the opposite of our real intentions and anyone who writes or speaks about our real intentions accurately or impartially in the Western sense of these words must quickly be dismissed and ridiculed as someone of the Right or a fascist, someone who wants to bring back McCarthyism.

 

Ivan Agayants

 

In his effort toward revivification of this sense [the sense for great art], the modern artist has not infrequently retired into himself; he has accepted isolation or even alienation. … Sometimes the good has to go underground. … The “revolutionary” artist … has had the aim of saving himself from the surrounding forces of sentimentality and vulgarity. … It is impossible to make a deal with these forces, and we should not be surprised if in striking back the artist has done so in ways even intended to be offensive. He has sometimes shown defiance and contempt toward those who would deny his level of seriousness.

 

Richard Weaver

 

Ever since I was a little boy, I would study composition. And it was Pyotr Ilyich Tchaikovsky that influenced me the most. If you take an album like Nutcracker Suite, every song is killer, every one. So I said to myself, 'Why can't there be a pop album where every...' — People used to do an album where you'd get one good song, and the rest were like B-sides, they'd call them "album songs" — and I'd say to myself 'Why can't every one be like a hit song? Why can't every song be so great that people would want to buy it if you could release it as a single?. So I always tried to strive for that. That was the purpose for the next album.

 

Michael Jackson

 

We've done our part. And as I walk off into the city streets, a final word to the men and women of the Reagan revolution, the men and women across America who for eight years did the work that brought America back. My friends: We did it. We weren't just marking time. We made a difference. We made the city stronger. We made the city freer, and we left her in good hands. All in all, not bad, not bad at all. And so, good-bye, God bless you, and God bless the United States of America.

 

Ronald Reagan

 

The death of John Barrymore made us think again for a minute of F. Scott Fitzgerald. They were very different men: a lot alike. Undoubtedly, they both worked hard, but there was the same sense of a difficult technique easily mastered (too easily perhaps); there was the same legend of great physical magnetism, working incessantly for its own destruction; there was the same need for public confession, either desperate or sardonic; and there was always a good deal of time wasted, usually accompanied by the sweet smell of grapes. We have seen Scott Fitzgerald when everything he said was a childish parody of his own talent, and the last time we saw John Barrymore he was busy with a sick and humiliating parody of his. The similarity probably ends there. Up to the day he died, we believe, Fitzgerald still kept his original and eager devotion to his profession, along, we like to think, with the strict confidence that he might still achieve the strict perfection that was so often almost his. Barrymore, on the other hand, had given up long ago.

 

John Barrymore