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Juan Gris

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Cézanne made a cylinder out of a bottle. I start from the cylinder to create a special kind of individual object. I make a bottle — a particular bottle — out of a cylinder.
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Response to questionnaire circulated to the Cubists by Amédée Ozenfant and Le Corbusier, editors of L'Esprit Nouveau # 5 (February 1921), pp. 533-534; trans. Douglas Cooper in Daniel-Henry Kahnweiler, Juan Gris, His Life and Work (1947)

 
Juan Gris

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Treat nature in terms of the cylinder, the sphere, and the cone, the whole put into perspective so that each side of an object, or of a plane, leads towards a central point. Lines parallel to the horizon give breadth, whether a sections of nature, or, if you prefer, of the spectacle which Pater omnipotens aeterne Deus unfolds before your eyes. Lines perpendicular to this horizon give depth.. ..Everything I am telling you (Joachim Gasquet, fh) about - the sphere, the cone, cylinder, concave shadow – on mornings when I’m tired these notions of mine get me going, they stimulate me, I soon forget them once I start using my eyes.

 
Paul Cezanne
 

I feel now if I think of it, it will come out in the painting. In other words, if I want to make the whole painting look like a bottle, like a lot of bottles - for instance maybe the end of the day, when everything is very light, but not in sunlight necessarily - and so if I have this image of this bottle and if I really think about it, it will come out in the painting. That doesn’t mean that people notice a bottle, but I know when I succeed in it – then the painting would have this.

 
Willem de Kooning
 

It is not given to a cylinder to move everywhere by its own motion, nor yet to water nor to fire nor to anything else which is governed by nature or an irrational soul, for the things which check them and stand in the way are many. But intelligence and reason are able to go through everything that opposes them, and in such manner as they are formed by nature and as they choose. Place before thy eyes this facility with which the reason will be carried through all things, as fire upwards, as a stone downwards, as a cylinder down an inclined surface, and seek for nothing further. For all other obstacles either affect the body only, which is a dead thing; or, except for opinion and the yielding of reason itself, they do not crush nor do any harm of any kind; for if they did, he who felt it would immediately become bad.

 
Marcus Aurelius
 

The story of The Libertines starts for me when it was me, Carl Barât and Steve Bedlow sat on the side of a canal, throwing stones at a bottle and we had a game where whoever hit the bottle first with the stone got to choose the name of the band - I can't even remember who it was that hit the bottle but, yeah, from that night onwards we became The Libertines. We ended up throwing ourselves into eternity, as we called it at the time

 
Peter Doherty
 

Fifteen men on the dead man's chest —
Yo-ho-ho, and a bottle of rum!
Drink and the devil had done for the rest —
Yo-ho-ho, and a bottle of rum!

 
Robert Louis Stevenson
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