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There's no such thing in Nature; and you'll draw
A faultless monster which the world ne’er saw.
--
Essay on Poetry (published 1723). Compare: "'High characters,' cries one, and he would see/ Things that ne’er were, nor are, nor e’er will be", John Suckling, The Goblins, Epilogue. "Whoever thinks a faultless piece to see,/ Thinks what ne’er was, nor is, nor e’er shall be", Alexander Pope, An Essay on Criticism (1711), Part II, line 53.

 

John Sheffield

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I am biased towards the belief that every painter must be grounded in strong and faultless drawing skills, and until one has not experimented with all styles of painting and has not comprehended their potentialities one's work is not complete. Even an abstract painter must know how to draw as well as a figurative artist. As for me, drawing has never created any problem, since I know how to draw anatomy correctly if I had to, I understand the function of muscle groups and sculpture.

 

Guity Novin

 

That I may reduce the monster to
Myself, and then may be myself
In face of the monster, be more than part
Of it, more than the monstrous player of
One of its monstrous lutes, not be
Alone, but reduce the monster and be,
Two things, the two together as one,
And play of the monster and of myself,
Or better not of myself at all,
But of that as its intelligence,
Being the lion in the lute
Before the lion locked in stone.

 

Wallace Stevens

 

As it is not to be imagined that the fornicator and the blasphemer can partake of the sacred Table, so it is impossible that he who has an enemy, and bears malice, can enjoy the holy Communion.… I forewarn, and testify, and proclaim this with a voice that all may hear! ‘Let no one who hath an enemy draw near the sacred Table, or receive the Lord’s Body! Let no one who draws near have an enemy! Do you have an enemy? Draw not near! Do you wish to draw near? Be reconciled, and then draw near, and touch the Holy Thing!’

 

John Chrysostom

 

It seemed to be a sort of monster, or symbol representing a monster, of a form which only a diseased fancy could conceive. If I say that my somewhat extravagant imagination yielded simultaneous pictures of an octopus, a dragon, and a human caricature, I shall not be unfaithful to the spirit of the thing. A pulpy, tentacled head surmounted a grotesque and scaly body with rudimentary wings; but it was the general outline of the whole which made it most shockingly frightful.

 

H. P. Lovecraft

 

Behind the complicated details of the world stand the simplicities: God is good, the grown-up man or woman knows the answer to every question, there is such a thing as truth, and justice is as measured and faultless as a clock. Our heroes are simple: they are brave, they tell the truth, they are good swordsmen and they are never in the long run really defeated. That is why no later books satisfy us like those which were read to us in childhood—for those promised a world of great simplicity of which we knew the rules, but the later books are complicated and contradictory with experience; they are formed out of our own disappointing memories.

 

Graham Greene