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John Gibson Lockhart

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A male Horace Walpole.
--
Quarterly Review, June 1834, p. 430.
--
Of William Beckford

 
John Gibson Lockhart

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I have spoken of the forceful sonnets of that tragic Portuguese, Antero de Quental, who died by his own hand. Feeling acutely for the plight of his country on the occasion of the British ultimatum in 1890, he wrote as follows: "An English statesman of the last century, who was also undoubtedly a perspicacious observer and a philosopher, Horace Walpole, said that for those who feel, life is a tragedy, and a comedy for those who think. Very well then, if we are destined to end tragically, we Portuguese, we who feel, we would rather prefer this terrible, but noble destiny to that which is reserved, and perhaps at no very remote future date, for England, the country that thinks and calculates, whose destiny it is to finish miserably and comically." ...we twin-brothers of the Atlantic seaboard have always been distinguished by a certain pedantry of feeling, but there remains a basis of truth underlying this terrible idea — namely that some peoples, those who put thought above feeling, I should say reason above faith, die comically, while those die tragically who put faith above reason.

 
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"The myths," says Horace in his Ars Poetica, "have been invented by wise men to strengthen the laws and teach moral truths." While Horace endeavored to make clear the very spirit and essence of the ancient myths, Euhemerus pretended, on the contrary, that "myths were the legendary history of kings and heroes, transformed into gods by the admiration of the nations." It is the latter method which was inferentially followed by Christians when they agreed upon the acceptation of euhemerized patriarchs, and mistook them for men who had really lived.

 
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Pornography reveals that male pleasure is inextricably tied to victimizing, hurting, exploiting; that sexual fun and sexual passion in the privacy of the male imagination are inseparable from the brutality of male history. The private world of sexual dominance that men demand as their right and their freedom is the mirror image of the public world of sadism and atrocity that men consistently and self-righteously deplore. It is in the male experience of pleasure that one finds the meaning of male history.

 
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