I know very well what I am about, & that my skies have not been neglected, though they often failed in execution — and often, no doubt, from an over-anxiety about them — which will alone destroy that easy appearance which nature always has — in all her movements.
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Letter to Rev. John Fisher (23 October 1821), from John Constable's Correspondence, part 6, pp. 76-78John Constable
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The sky is the 'source of light' in nature, and governs every thing. Even our common observations on the weather of every day, are suggested by them, but it does not occur to us. Their difficulty in painting both as to composition and execution is very great, because, with all their brilliancy and consequence, they ought not to come forward, or be hardly thought about in a picture... I know very well what I am about, and that my skies have not been neglected, though they have often failed in execution, no doubt, from an over-anxiety about them, which will alone destroy that easy appearance which nature always has in all her movements.
John Constable
Little did the artist know, who neglected his appearance in favor of his work, that the years would produce a breed that spent hours meticulously acquiring a neglected look to appear like an artist.
Vanna Bonta
A living creature develops a destructive impulse when it wants to destroy a source of danger. In this case, the destruction or killing of the object is the biologically purposeful goal. The original motive is not pleasure in destruction. Rather the destruction serves the "life instinct"...and is an attempt to avoid anxiety and to preserve the ego in its totality. I destroy in a dangerous situation because I want to live and do not want to have any anxiety. In short, the impulse to destroy serves a primary biological will to live...
Wilhelm Reich
It used to be said, that in places like this, nature eventually failed to support man, the truth is exactly the reverse, here man failed to support nature. Ten thousand years ago man regarded the natural world as divine, but as he domesticated animals and plants so nature lost some of its mystery and appeared to be little more than a larder that could be raided with impunity.
David Attenborough
... anxiety is a reflection, and in this respect is essentially different than sorrow. Anxiety is the organ by which the subject appropriates sorrow and assimilates it. Anxiety is the energy of the movement by which sorrow bores its way into one’s heart. But the movement is not swift like the thrust of a dart, it is successive; it is not once for all, but it is constantly continuing. As a passionate, erotic glance desires its object, so anxiety looks upon sorrow to desire it. As the quiet, incorruptible glance of love is preoccupied with the beloved object, so anxiety occupies itself with sorrow. But anxiety has another element in it which makes it cling even more strongly to its object, for it both loves it and fears it. Anxiety has a two-fold function. Partly it is the detective instinct which constantly touches, and by means of this probing, discovers sorrow, as it goes round about the sorrow. Or anxiety is sudden, posits the whole sorrow in the present moment, yet so that this present moment instantly dissolves in succession. Anxiety is in this sense a truly tragic category, and the old saying: quem deus vult perdere, primum dementat, (whom God wishes to destroy, he first makes insane) in truth rightly applies here. That anxiety is determined by reflection is shown by our use of words; for I always say: to be anxious about something, by which I separate the anxiety from that about which I am anxious, and I can never use anxiety in an objective sense; whereas, on the contrary, when I say “my sorrow,” it can just as well express that which I sorrow over, as my sorrow over it. In addition, anxiety always involves a reflection upon time, for I cannot be anxious about the present, but only about the future; but the past and the future, so resisting one another that the present vanishes, are reflective determinations.
Soren Aabye Kierkegaard
Constable, John
Constant, Benjamin
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