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Johann Kaspar Lavater

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Venerate four characters: the sanguine who has checked volatility and the rage for pleasure; the choleric who has subdued passion and pride; the phlegmatic emerged from indolence; and the melancholy who has dismissed avarice, suspicion and asperity.
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No. 609

 
Johann Kaspar Lavater

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What demon is our god? What name subsumes
That act external to our sleeping selves?
Not pleasure — it is much too broad and narrow —,
Not sex, not for the moment love, but pride,
And not in prowess, but pride undefined,
Autonomous in its unthought demands,
A bit of vanity, but mostly pride.

 
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Why do the characters in Jane Austen give us a slightly new pleasure each time they come in, as opposed to the merely repetitive pleasure that is caused by a character in Dickens? Why do they combine so well in a conversation, and draw one another out, without seeming to do so, and never perform? The answer to this question can be put in several ways; that, unlike Dickens, she was a real artist, that she never stooped to caricature, etc. But the best reply is that her characters, though smaller than his, are more highly organized. They function all round, and even if her plot made greater demands on them than it does, they would still be adequate.

 
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I can cure the gout or stone in some, sooner than Divinity, Pride, or Avarice in others.

 
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