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Joe Orton

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Sir — As a playgoer of forty years standing, may I say that I heartily agree with Peter Pinnell in his condemnation of 'Entertaining Mr Sloane'.
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See above (p. 283 of the Orton Diaries)

 
Joe Orton

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Here’s something you don’t hear said about many movie critics: people love Roger Ebert. ... There’s a good reason for this: Ebert doesn’t stand between moviegoers and the audience. Rather, his regular readers are serious movie-lovers who see him as their rep, the guy out there fighting to make movies less stupid, more entertaining, more intelligent, more everything. You don’t have to agree with him — and I certainly didn’t in this book, when he ragged on Team America and Jesus is Magic, two movies where I laughed myself sick — to know that he’s on your side. He sees the bad movies so you don’t have to, and he’s seen the same ones over and over. ... Mere bile, though, isn’t his game; he’s as interested in why movies fail as why they work. A lot of the time, it’s obvious: because it’s made by morons for morons. In these cases, Ebert drags us through the plot in as entertaining a fashion as possible. ... Forty years on, he’s still a moviegoer’s best friend.

 
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Sir — In finding so much to praise in 'Entertaining Mr. Sloane,' which seems to be nothing more than a highly sensationalized, lurid, crude and over-dramatised picture of life at its lowest, surely your dramatic critic has taken leave of his senses.

 
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"Nasruddin, four years ago you were here, and I asked that time also what is your age, and you told me forty years. Now this is absolutely inconsistent – how can you still be forty?"
Nasruddin said, "I am a man of consistency. Once forty, I remain forty always. When I have answered once, I have answered forever! You cannot lead me astray. I am forty, and whenever you ask you will get the same answer."

 
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Mary was forty years old when she first played Peter Pan, yet she rehearsed fourteen hours a day and seemed fresh and high spirited while everyone else in the company drooped with fatigue. She was determined to fly all over the stage in the part.

 
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So OK. Let’s say you know the novel, you agree with Ayn Rand, you’re an objectivist or a libertarian, and you’ve been waiting eagerly for this movie. Man, are you going to get a letdown. It’s not enough that a movie agree with you, in however an incoherent and murky fashion. It would help if it were like, you know, entertaining?

 
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