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I don't necessarily see the elements that I invoke on the cover and in the songs as being in binary opposition. I know certain binary tensions emerge between these elements, but a lot of times they're more like archetypal elements; these free-standing, huge forces. Mortality, standing alone, as a thing; as opposed to, "Over here's life; over here's death. Here's bad luck, but here's blessing and redemption. Here's water; here's fire." Certainly those things come up again and again in the songs, but it's not intentional, and probably has more to do with the fact that those things emerge in real life, without any effort on our part whatsoever, than they are derived from any classical tradition. I think classicism in general might reflect more closely the natural order of human life, while postmodernism is somehow removed from the natural order, more cerebral and sterile, removed from real life on some level. So what seems like classicism in some of these songs might be just what I view as an accurate reflection of real life on this planet.

 

Joanna Newsom

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[The title] was the last thing that I chose, after all the songs and the cover art were finished. So none of the songs directly allude to that myth. But the main themes that emerge out of that myth are really close to the themes on the record -- mortality, decadence, an excess of water, isolation, rebirth. The myth is also significant to me because of the way that I encountered it, which relates to one of the huge events the record is about.
I also liked the power of the word itself. I liked how violent and cryptic it felt; it's such a daunting word to encounter. I like how it contrasted this finely rendered, carefully composed front cover -- the painting is information-dense, formal, and stylized; it looks the way something looks when a painter spends a year on it, which is what Benjamin [Vierling] did. So it has all this detail and carefulness to it, which was really important to me and relates very closely to the record. But I also felt like it needed some sort of ballast, or balance, next to it, to reflect the other elements of the record; its innate violence. I wanted a word that was like throwing a brick at the visual on the front cover; I liked that whenever someone looked at that cover they also had to encounter this short, weird word.

 

Joanna Newsom

 

There cannot be a single, simple body which is infinite, either, as some hold, one distinct from the elements, which they then derive from it, nor without this qualification. For there are some who make this (i.e. a body distinct from the elements) the infinite, and not air or water, in order that the other things may not be destroyed by their infinity. They are in opposition one to another — air is cold, water moist, and fire hot—and therefore, if any one of them were infinite, the rest would have ceased to be by this time. Accordingly they say that what is infinite is something other than the elements, and from it the elements arise.

 

Anaximander

 

Somebody said [to Condell] recently, "Clearly you just don't understand what a person's faith actually means to them. For me," she said, "it's like the water of life." And I thought, what a great phrase - "the water of life", without which, of course, there can be no life. But even the water of life needs to be contained and properly managed, or it can run out of control, get into places where it doesn't belong and cause real damage. For example, if the water of your life gets together with the water of other people's lives, and they form a deluge, a rushing torrent of righteous certainty that sweeps all before it, including reason, well then it's not so much the water of life anymore, is it? It's rapidly turning into the water of death, as everything in its path is crushed - original thought, rational inquiry, free speech and their tattered remnants are strewn upon the rocks of scripture and blind dogma. What's needed here, obviously, is a dam to contain this water of death, convert it back into the water of life, and give us all a chance to switch on a lightbulb in our minds. And that's where secularism comes in. It's everybody's friend, believer and non-believer alike, which I think makes it the real water of life. At least almost as much as this stuff here - beer. Cheers. (Picks up a glass of beer and drinks from it) Mmmm! Now that's what I call the water of life. A merry Christmas to everyone, especially to all you Islamist crackpots who think celebrating Christmas is a sin. Of course it is - that's why it's fun! Peace.

 

Pat Condell

 

"I'm not too interested in these swan songs I'm continuing to hear. I'm just Mike. I'm a peasant. I'm here to entertain the people. I'm no elite person. At one stage in my life, I had my little jewelry and all my little girlfriends and my big cars and things. At one point, I thought life was about acquiring things. But as a I get older life is totally about losing everything. As life goes on, we lose more than we acquire. I don't want the finest girl in the world anymore. I'm just trying to stay balanced, basically."

 

Mike Tyson

 

Nature consists of the elements given by the senses. Primitive man first takes out of them certain complexes of these elements that present themselves with a certain stability and are most important to him. The first and oldest words are names for "things". ... The sensations are no "symbols of things". On the contrary the "thing" is a mental symbol for a sensation-complex of relative stability. Not the things, the bodies, but colours, sounds, pressures, times (what we usually call sensations) are the true elements of the world.

 

Ernst Mach