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I wasn't part of that hothouse thing. I didn't go to the Yehudi Menuhin school. I grew up with the idea of trying to make music available to people of all abilities." The Guardian - 26/05/2000

 

Joanna MacGregor

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What we didn't want to do [with "90 Millas] was "Mi Tierra, Part 2," because that album was so special. Yes, we wanted to do a Cuban album, but didn't know exactly in what vein. And, as it grew, it grew into a more modern thing. It was if we had continued to bring this music along with the years.

 

Gloria Estefan

 

(on not going to his high school prom) I wasn't aware of the prom. I had no idea that it was even going on, not that I would have gone. It's not the kind of thing that would ever occur to me. You would think I would have heard about it in school, but I didn't. (Curb Your Enthusiasm: The Book)

 

Larry David

 

In 2000, he shouted out "Tell her to read the Guardian!" - the Guardian newspaper was campaigning at the time to repeal various laws relating to the monarchy.

 

Dennis Skinner

 

[Is "90 Millas" another crossover -- into World Music?] I can see that. The core is African rhythm -- half of the world's music comes from that. The difference between our music and American blues: Cubans may have been slaves, but in Cuba slaves became part of the family. They could buy their freedom. And they are Island people. And Island people are happier. But, you know, in the '80s, when we released "Conga," wasn't that World Music? Everywhere we went, people got it. And why? The drums. So maybe all music is World Music, and the only question is: Do you like it?

 

Gloria Estefan

 

Not only was I fiddling around at the keyboard but there were all these other children of all backgrounds wanting to play every sort of music bits of classical, jazz, pop, improvisation." The Guardian - 26/05/2000

 

Joanna MacGregor