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I can see it must seem strange, but to me it was normality. Really, my memory of my childhood is that the sun always shone and I spent all my time playing in the park. Since then I've discovered that some of the great musicians I admire - Charles Ives, John Cage, even Bob Dylan - had quite unconventional childhoods." Evening Standard - 04/07/2002

 

Joanna MacGregor

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"...We met in 1950, through John Cage, when I was sixteen and he in his early twenties. We were all doing work that was clearly different, newly different - from one another, but joined by our delight in each other's work (and by John Cage's organizing the concerts of it and a few musicians, David Tudor centrally, playing it), and by its difference from any other we knew. I still find mysterious his way of putting the music together, or rather of erasing any traces of a sense of its having been put together: it's just there. How does he do it? He's the only composer I know whose work seems made in a way that cannot be accounted for, explained, by any other means than the impossible one of becoming that composer oneself. He talked wonderfully, sharply, outrageously, but that wasn't quite his music. One thinks of the disparity of his large, strong presence and the delicate, hypersoft music, but in fact he too was, among other things, full of tenderness and the music is, among other things, as tough as nails." - Christian Wolff, Composer and Pianist

 

Morton Feldman

 

What was most odd was that teachers would tell you what to do and what to think and they would write everything on a blackboard and you would copy it all down." The Evening Standard - 04/07/2002

 

Joanna MacGregor

 

In a lot of classical playing there isn't much expressiveness: I don't hear a voice in the playing. What I really admire about jazz musicians is that they develop a sound early on and it's unique to them. Classical players are screened from that by always playing other people's notes.

 

Joanna MacGregor

 

"'Waterloo was won,'" quoted Rackham, "'on the playing fields of Eton.'"
"What the hell does that mean?" asked Carn Carby. "You never even went to Eton."
"It was an analogy," said Rackham. "If you hadn't spent your entire childhood playing war games, you'd actually know something. You're all so uneducated."

 

Orson Scott Card

 

"I spent much of my childhood alone, and found my friends in books, detailing fictional stories I could relate to and characters I wish I could be. I don’t have as much time to read anymore and it is the one thing I lament. A great book can inspire and educate, and these things ultimately flow back into my art."

 

Klayton