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Jerry Springer

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I create this persona for the show. And that's what it is. I'm an act.
--
This American Life, Ep. 258, 01/30/04, Leaving the Fold; Act One.

 
Jerry Springer

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The persona, the ideal picture of a man as he should be, is inwardly compensated by feminine weakness, and as the individual outwardly plays the strong man, so he becomes inwardly a woman, i.e., the anima, for it is the anima that reacts to the persona. But because the inner world is dark and invisible to the extraverted consciousness, and because a man is all the less capable of conceiving his weaknesses the more he is identified with the persona, the persona's counterpart, the anima, remains completely in the dark and is at once projected, so that our hero comes under the heel of his wife's slipper. If this results in a considerable increase of her power, she will acquit herself none too well. She becomes inferior, thus providing her husband with the welcome proof that it is not he, the hero, who is inferior in private, but his wife. In return the wife can cherish the illusion, so attractive to many, that at least she has married a hero, unperturbed by her own uselessness. This little game of illusion is often taken to be the whole meaning of life.

 
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She has a weird energy about her as a woman. We were in this town to do a show and she spread such positive vibes. There were birds singing and rainbows – we could even see a tornado going on! We could actually see it!” Maya exclaims. “I think that every artist has an aura and persona that develops and Bjork spreads such a positive energy. You can just feel it.” She recounts the part of the show where the Icelandic princess allowed her to get involved in the finale, clearly ecstatic at the trust the legendary songstress placed in her to play her instruments. “Now I wouldn’t even let myself play instruments!” she laughs. “But it was so good that she wasn’t afraid of me messing her show up. I suppose its something that you learn when you get older.”

 
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A cultivated style would be like a mask. Everybody knows it's a mask, and sooner or later you must show yourself — or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.

 
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Joe Henry: "I've known her since I was 15 and she was 17, longer than I've known my wife. We have had a great relationship, and part of that was because I never needed anything from her. I recognised that we were in two different occupations. Not to disparage one ounce of her musicality, I was always of the belief that her persona was her career. Whether she was making a movie or writing a song or punching a photographer, it was all pushing a persona forward, and that was the real body of work. I was never tempted to slip a song to her at thanksgiving."

 
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