It looked like lively abstract art. Symbols in search of context.
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p. 74Jeff VanderMeer
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...there is a striking similarity in the surrealist and abstract painters attitude to the object;both have a horror of it in its proper context.
John (artist) Piper
The process by means of which human beings can arbitrarily make certan things stand for other things may be called the symbolic process. Whenever two or more human beings can communicate with each other, they can, by agreement, make anything stand for anything. For example, here are two symbols:
X Y
We can agree to let X stand for buttons and Y for bows; then we can freely change our agreement and let X stand for [...] North Korea, and Y for South Korea. We are, as human beings, uniquely free to manufacture and manipulate and assign values to our symbols as we please. Indeed, we can go further by making symbols that stand for symbols. [...] This freedom to create symbols of any assigned value and to create symbols that stand for symbols is essential to what we call the symbolic process.S. I. Hayakawa
My gaiety all went after Mother died. I had been so lively and open; now I became diffident and oversensitive, crying if anyone looked at me. I wanted to be left alone and hated meeting strangers. It was only in the intimacy of my own family, where everyone was wonderfully kind, that I could be more myself.
Therese of Lisieux
I guess the other thing I find a little bit on the downside is that all the papers can now be downloaded off the web. That bothers me a little because I think in the old days, when you picked up the journal, you kind of looked at everything on the back of it, the titles, and there were things you didn’t know that much about or that you had a faint connection with, and maybe you looked at the paper; maybe you read the abstract at least. Nowadays, you just dial up what you’re interested in; you don’t see any of the rest of the literature. I do worry over this kind of compartmentalization of astronomy, which I think has gotten to be a bit out of hand...
Robert (astronomer) Kraft
In fact a man in love or one consumed with hatred creates symbols for himself, as a superstitious man does, from a passion of conferring uniqueness on things or persons. A man who knows nothing of symbols is one of Dante's sluggards. This is why art mirrors itself in primitive rites or strong passions, seeking for symbols, revolving round the primitive taste for savagery, for what is irrational (blood and sex).
Cesare Pavese
VanderMeer, Jeff
Vanzetti, Bartolomeo
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