Jeff was somebody who would have been one of those people that influenced other singers. He was an amazing singer. I had an idea of what his music meant to people, because he did this amazing thing in such a short period of time. He's going to be the most important artist to so many people throughout their lives. We were really good friends, and as an individual he was different from any other friend I've had. I was looking forward to a long friendship with him. As an artist he was one of the few people, that really inspired me. I was counting on him, to be one of the persons, who would pressure me to move my limits, in many years to come. It's very important to have this kind of challenge, someone, who inspires you to grow with the challenge. That push, to get you to do new things, is very healthy, and Jeff was one of those people, who inspired you to expand your way of thinking, about yourself and music.
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Chris Cornell – Singer/Guitarist from Soundgarden/Audioslave/Temple of the Dog/solo from Jeff Buckley Newsletter, November 5, 1999 (http://www.jeffbuckley.com/newsletter/v1_n7/english/07.html)Jeff Buckley
A lot of the people who live here [Miami] are island people -- from Cuba, Haiti. People are very vibrant, and color is important living here. You're inspired every day by the sun, the sky, the landscape, the lushness. [Artist Romero Britto's] painting and artwork reflect that.
Gloria Estefan
Emanuela Rossi: "I'm a big fan of Madonna, I love her music a lot. I like her persona, her ways to reinvent herself, not being the same all the time. I think it's vital and creative for an artist to look for new ways, new looks, different ways to sing but at the same time keeping those qualities that make you unique. Madonna is also a controversial artist that tends to amaze people in every possible way and the same time I think she's a very authentic person. She looks very visceral to me, also in her quests. She has become quite sophisticated over the years but she stays true to herself and still capable to push people's buttons. I think that's the key of her success."
Madonna
Emanuela Rossi: "I'm a big fan of Madonna, I love her music a lot. I like her persona, her ways to reinvent herself, not being the same all the time. I think it's vital and creative for an artist to look for new ways, new looks, different ways to sing but at the same time keeping those qualities that make you unique. Madonna is also a controversial artist that tends to amaze people in every possible way and the same time I think she's a very authentic person. She looks very visceral to me, also in her quests. She has become quite sophisticated over the years but she stays true to herself and still capable to push people's buttons. I think that's the key of her success."
Madonna Ciccone
I hope that people who liked him resist the temptation to turn his life and death into some dumb romantic fantasy--he was so much better than that. Not everyone can get up and sing something they take a liking to and make it their own, sing true to their heart and be curious about all different strains of music. Corpus Christi Carol was a completely conceived interpretation. I'd never heard the piece before and when I heard the original I realised what Jeff had done was even more amazing. He'd taken it into his own world. That's something my favorite classical musicians can do, be themselves but use all that expertise to make the music more beautiful. Jeff did that naturally. Only a handful of people are capable of that. I was amazed when he did meltdown. I asked him what he wanted to sing and he said he'd like to do one of Mahler's Kindertotenlieder in the original German! Absolutely f**king fearless. He was convinced he could sing it without rehearsal, just because he liked it. In the end he did a Purcell song, Dido's Lament, which is in danger of sounding incredibly poignant in retrospect: 'Remember me but forget my fate'. But he also sang Boy With the Thorn In His Side because he liked it, and Grace to show something of himself. When he started singing Dido's Lament at the rehearsal, there were all these classical musicians who could not believe it. Here's a guy shuffling up on-stage and singing a piece of music normally thought to be the property of certain types of specifically developed voice, and he's just singing, not doing it like a party piece, but doing something with it. My last memory of him was at the little party in the green room afterwards. There were all these people sitting round Jeff who'd never met before - Fretwork, the viol group, a classical pianist and some jazz player --all talking and laughing about music. He'd charmed everybody. I'd much rather remember that than anything.
Jeff Buckley
The first half of your life is spent getting over yourself. You think you’re amazing, unique. Young people walk around going, "You know the funny thing is I was just in the kitchen but now I’m here in the bedroom, get a load of me! I just go on and on!" And that’s around the age when you meet somebody else – when you’re totally unbearable. Two young, fit, healthy attractive people in love? There’s nothing worse to look at in the world! Going around going, "I can’t believe I met you cause you’re amazing and I’m amazing and we’re surrounded by shitheads, it’s just amazing! Hey, I know this really good bar, let’s go and make it better." In the second half of your life you realise how like every other hump who drew breath you really are. Except you’re MORE boring.
Dylan Moran
Buckley, Jeff
Buckley, Lord
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