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Jeff Buckley

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Technically he was the best singer that appeared, that had appeared, probably, I'm not being too liberal about this if I say in two decades. I started to play Grace constantly, constantly and the more, the more I listened to the album, the more, the more I heard -- the more I appreciated of Jeff and Jeff's talents and Jeff's total ability to which he was just a wizard and it was close to being my favorite album of the decade. We actually made a point of going to hear him play and seeing and it was absolutely scary. One of the things is a little frightening was that I was convinced that he probably did things in tunings and he didn't. He was doing things in standard tuning. I thought, oh gee he really is clever isn't he ? He quite clearly had his feet on the ground and he said his imagination was flying, flying way, way out there, beyond, beyond. Jeff Buckley was one of the greatest losses of all.
--
Jimmy Page – Guitarist from Led Zeppelin/The Yardbirds/solo from the BBC Documentary "Everybody Here Wants You"

 
Jeff Buckley

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Dr. Drew: What will you remember most about the '90's?
Sebastian Bach: The album Grace by Jeff Buckley. Unless you've heard it, you wouldn't know why.
Dr. Drew: What's your favorite album for a night of steamy monkey love?
Sebastian Bach: Jeff Buckley's Grace is the most romantic, sensual album I've heard in my life.

 
Jeff Buckley
 

Q:What are you listening to on your Walkman?
A: I listen to Jeff Buckley. He's my favorite singer. We actually cover a Jeff Buckley tune called "Eternal Life" in our set. When he died it really hit me, because he was an incredible singer who only did one album, Grace, and his voice was so beautiful that I couldn't believe it when he died. Since he's not around to sing songs anymore, we decided we'd give it a shot.

 
Jeff Buckley
 

My singing used to be awful," admits Folds. "I don't have Jeff Buckley's voice. I don't write songs as an excuse to hear myself sing. It's the other way around: I sing so I can hear my songs. It can be kind of scary. You're on the radio next to -- well, on the shelf next to Jeff Buckley. We're in the B's. People can flip through and pick up his record instead and hear a lot better singer. He has that knack. I've had to really work at it. Of course, he probably doesn't play piano as well as me. I'm not going to get all competitive with the guy because obviously he's not doing so well these days.

 
Jeff Buckley
 

You mentioned two spectacular vocalists there (Jeff Buckley and Freddie Mercury) I mean, both of whom had much better chops than me. I mean real great, great singers. Jeff Buckley's voice. I was playing with Jimmy in the mid 90s when we were working with an Egyptian ensemble and we played a festival in Switzerland and Jeff Buckley was playing and we went to see him and it was mind altering, his voice. Spectacular singing and so much conviction.

 
Jeff Buckley
 

I hope that people who liked him resist the temptation to turn his life and death into some dumb romantic fantasy--he was so much better than that. Not everyone can get up and sing something they take a liking to and make it their own, sing true to their heart and be curious about all different strains of music. Corpus Christi Carol was a completely conceived interpretation. I'd never heard the piece before and when I heard the original I realised what Jeff had done was even more amazing. He'd taken it into his own world. That's something my favorite classical musicians can do, be themselves but use all that expertise to make the music more beautiful. Jeff did that naturally. Only a handful of people are capable of that. I was amazed when he did meltdown. I asked him what he wanted to sing and he said he'd like to do one of Mahler's Kindertotenlieder in the original German! Absolutely f**king fearless. He was convinced he could sing it without rehearsal, just because he liked it. In the end he did a Purcell song, Dido's Lament, which is in danger of sounding incredibly poignant in retrospect: 'Remember me but forget my fate'. But he also sang Boy With the Thorn In His Side because he liked it, and Grace to show something of himself. When he started singing Dido's Lament at the rehearsal, there were all these classical musicians who could not believe it. Here's a guy shuffling up on-stage and singing a piece of music normally thought to be the property of certain types of specifically developed voice, and he's just singing, not doing it like a party piece, but doing something with it. My last memory of him was at the little party in the green room afterwards. There were all these people sitting round Jeff who'd never met before - Fretwork, the viol group, a classical pianist and some jazz player --all talking and laughing about music. He'd charmed everybody. I'd much rather remember that than anything.

 
Jeff Buckley
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