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Never pay any attention to what critics say…Remember, a statue has never been set up in honour of a critic!
--
Bengt de Törne Sibelius: A Close-Up (London: Faber and Faber, 1937), p. 27.

 

Jean Sibelius

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I've noticed that there is not necessarily a great relationship between what the majority of critics have to say and what is actually true. Some of them are so busy trying to mold the public taste according to the limits of their perceptions, and others are so busy reflecting what they consider to be the public taste — that view limited again by their perception. You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid — but most people don't take the trouble.

 

Edward Albee

 

The new attitude of the critic toward the artist has been rationalized for me by a leading European art historian who is also an influential critic of current art. It is based on a theory of division of labor in making art history. The historian, he contends, knows art history and, in fact, creates it; the artist knows only how to do things. Left to himself, the artist is almost certain to do the wrong thing — to deviate from the line of art history and thus to plunge into oblivion. The critic's role is to steer him in the proper direction and advise changes in his technique and subject matter that will coordinate his efforts with the forces of development. Better still, critics should formulate historically valid projects for artists to carry out. That not all critics have the same expectations of the future of art does not, I realize, weaken the cogency of my colleague's argument. The surviving artist would be one who has been lucky enough to pick the winning critic. My own view that art should be left to artists seemed to my mentor both out-of-date and irresponsible.

 

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The Statue of Liberty means everything. We take it for granted today. We take it for granted. Remember the Statue of Liberty stands for what America is. We as Democrats have to remind ourselves and remind the country the great principles we stand for. This is a place of protection. This is not a country of bullies. We are not an empire. We are the light. We are the Statue of Liberty.

 

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I stood in front of a hundred and one critics at a critic's convention and a critic asked me, "Miss Cho, isn't it true that your management asked you to lose weight to play the part of yourself in your own TV show?" Gail [the producer] grabbed the mike from me and said, "There is no truth in that whatsoever." I...was so...hungry.

 

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Those who challenge the 'Right to Lie', as Chomsky describes it, can expect to be met with vilification and distortion. Such vilification campaigns succeed by making the accusation against the critics the topic of debate. By forcing critics into an endless defence of their position, the propaganda system distracts attention from the substantive issues.

 

Noam Chomsky