The technique used heavy, spiky pastes made of nothing other than ordinary oil paint, used thick and mixed with sand and gravel. I some cases – but these were the exception – a few miscellaneous objects were stuck into the wet paint, such as bits of string or little pieces of glass or mirror. (remark on his technique Dubuffet used in his series Hautes Pâtes, exhibited in 1946, fh)
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Prospectus et tous écrits suivants, Vol. II, Jean Dubuffet, Gallimard, Paris 1967, p. 428Jean Dubuffet
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Dubuffet, Jean
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