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I don’t want my work to be an exposure of my feelings.
--
Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. 202

 

Jasper Johns

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I have attempted to develop my thinking in such a way that the work I’ve done is not me – not to confuse my feelings with what I produced. I didn’t want my work to be an exposure of my feelings. Abstract Expressionism was so lively – personal identity and painting were more or less the same., and I tried to operate the same way. But I found I couldn’t do anything that would be identical with my feelings. So I worked in such a way that I could say that it’s not me. That accounts for the separation.

 

Jasper Johns

 

Our work is not so much to treat or to cure feelings, as to accept and celebrate them. This is a critical difference.
Fundamentalists figure things out and anticipate change. Trend followers join the trend of the moment. Fundamentalists try to solve their feelings. Trend followers join their feelings and observe them evolve and dis-solve.
The feelings we accept and enjoy rarely interfere with trading.
Trying to treat or cure feelings adds mass.

 

Ed Seykota

 

The less passion there is, the better we work. The calmer we are, the better for us and the more the amount of work we can do. When we let loose our feelings, we waste so much energy, shatter our nerves, disturb our minds, and accomplish very little work.

 

Swami Vivekananda

 

What is the reason that you came forth into this physical experience? You wanted more. You wanted more exposure, to more opportunity, to have more feelings. So the meaning of life, it sounds strange to say it, but the meaning of life is LIFE! Its to feel life pouring through you, to feel the exhilaration of a new idea coming to fruition. To feel yourself not right on it and then work yourself until you are on it. To have a new idea occur to you and to recognize you are not a vibrational match to it, and then to deliberately become a vibrational match to it. All of that is fun and all of that is life. So the meaning of life and the reason for life is for the thrill.

 

Esther Hicks

 

In psychotherapy, the impact of love feelings, technically called the transference, is held under some degree of control by the artificial device of interpreting the patient's feelings while establishing barriers to the psychological exposure of the therapist. The therapist is supposed to come to the relationship fully endowed with a stable set of established insights which will be adequate in a practical sense to any application which the patient's needs will require. The patient, on the other hand, is supposed to limit his interaction with the therapist to the areas where he is aware of psychic pain or where the therapist accepts communication in the name of therapeutic technique. If everything else is carefully excluded, neither participant will be called on to deal with areas of the unknown in themselves which would require creative personal investment.

 

Paul Rosenfels